London and the making of provincial literature : aesthetics and the transatlantic book trade, 1800-1850 / / Joseph Rezek

• Record Nr.: UNINA9910797347303321
• Autore: Rezek Joseph
• Pubbl/distr/stampa: Philadelphia, Pennsylvania : , : University of Pennsylvania Press, , 2015; ©2015
• ISBN: 0-8122-9162-X
• Descrizione fisica: 1 online resource (295 p.)
• Collana: Material Texts
• Disciplina: 820.9/007
• Soggetti: English fiction - 19th century - History and criticism; Book industries and trade - England - London - History - 19th century; Book industries and trade - United States - History - 19th century; American fiction - 19th century - History and criticism; Irish fiction - 19th century - History and criticism; Scottish fiction - 19th century - History and criticism; English fiction - Irish authors - 19th century - History and criticism; English fiction - Scottish authors - 19th century - History and criticism; National characteristics in literature; Literature - Aesthetics
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Front matter -- Contents -- Introduction -- Chapter 1. London and the Transatlantic Book Trade -- Chapter 2. Furious Booksellers and the “American Copy” of the Waverley Novels -- Chapter 3. The Irish National tale and the aesthetics of Union -- Chapter 4. Washington Irving’s transatlantic revisions -- Chapter 5. The Effects of Provinciality in Cooper and Scott -- Chapter 6. Rivalry with England in the Age of Nationalism -- Epilogue. The Scarlet Letter and the Decline of London -- Appendix. The London Republication of American Fiction, 1797–1832 -- Notes -- Bibliography -- Index -- Acknowledgments
• Sommario/riassunto: In the early nineteenth century, London publishers dominated the transatlantic book trade. No one felt this more keenly than authors from Ireland, Scotland, and the United States who struggled to establish ; their own national literary traditions while publishing in the English metropolis. Authors such as Maria Edgeworth, Sydney Owenson, Walter Scott, Washington Irving, and James Fenimore Cooper devised a range of strategies to transcend the national rivalries of the literary field. By writing prefaces and footnotes addressed to a foreign audience, revising texts specifically for London markets, and celebrating national particularity, provincial authors appealed to English readers with idealistic stories of cross-cultural communion. From within the messy and uneven marketplace for books, Joseph Rezek argues, provincial authors sought to exalt and purify literary exchange. In so doing, they helped shape the Romantic-era belief that literature inhabits an autonomous sphere in society. London and the Making of Provincial Literature tells an ambitious story about the mutual entanglement of the history of books and the history of aesthetics in the first three decades of the nineteenth century. Situated between local literary scenes and a distant cultural capital, enterprising provincial authors and publishers worked to maximize success in London and to burnish their reputations and build their industry at home. Examining the production of books and the circulation of material texts between London and the provincial centers of Dublin, Edinburgh, and Philadelphia, Rezek claims that the publishing vortex of London inspired a dynamic array of economic and aesthetic practices that shaped an era in literary history.