1.

Record Nr.

UNINA9910796759603321

Autore

Simon David Carroll

Titolo

Light without heat : the observational mood from Bacon to Milton / / David Carroll Simon

Pubbl/distr/stampa

Ithaca ; ; London : , : Cornell University Press, , [2018]

©2018

ISBN

1-5017-2342-1

Descrizione fisica

1 online resource

Disciplina

820.9/004

Soggetti

Literature and science - England - History - 17th century

English literature - Early modern, 1500-1700 - History and criticism

Observation (Scientific method) - Englan - History - 17th century

Philosophy of nature in literature

Empiricism in literature

England Intellectual life 17th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction : atmospheres of understanding : scientific emotion and literary criticism -- "Nonchalance" and the making of knowledge : Francis Bacon after Michel de Montaigne -- The angle of thought : Robert Boyle, Izaak Walton, and the scientific imagination -- The microscope made easy : Andrew Marvell with Henry Power -- The paradise without : John Milton in the garden.

Sommario/riassunto

In Light without Heat, David Carroll Simon argues for the importance of carelessness to the literary and scientific experiments of the seventeenth century. While scholars have often looked to this period in order to narrate the triumph of methodical rigor as a quintessentially modern intellectual value, Simon describes the appeal of open-ended receptivity to the protagonists of the new science. In straying from the work of self-possession and the duty to sift fact from fiction, early modern intellectuals discovered the cognitive advantages of the undisciplined mind. Exploring the influence of what he calls the "observational mood" on both poetry and prose, Simon offers new readings of Michel de Montaigne, Francis Bacon, Izaak Walton, Henry



Power, Robert Hooke, Robert Boyle, Andrew Marvell, and John Milton. He also extends his inquiry beyond the boundaries of early modernity, arguing for a literary theory that trades strict methodological commitment for an openness to lawless drift.