The making of an avant-garde : Tel quel / / by Niilo Kauppi

• Record Nr.: UNINA9910453592603321
• Autore: Kauppi Niilo
• Pubbl/distr/stampa: Berlin ; ; New York : , : Mouton de Gruyter, , 1994
• ISBN: 3-11-088376-7
• Edizione: [Reprint 2013]
• Descrizione fisica: 1 online resource (536 pages) : illustrations
• Collana: Approaches to Semiotics [AS] ; ; 113; Approaches to semiotics ; ; 113
• Disciplina: 054/.1
• Soggetti: Avant-garde (Aesthetics) - France; Electronic books.; France Intellectual life 20th century
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Bibliographic Level Mode of Issuance: Monograph
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Frontmatter -- Acknowledgments -- Contents -- Translator's note / Epstein, Anne R. -- Introduction -- Chapter I. The logic of succession -- Chapter II. Tel Quel·. Between literature, science, and politics -- Chapter III. The logic of intellectual strategies -- Chapter IV. Structural modifications and symbolic domination -- Chapter V. General conclusions -- Epilogue. Tel Quel outside France -- Appendix 1. Authors published in Tel Quel from 1960 to 1982 (members of the board excluded) -- Appendix 2. Articles published in Tel Quel from 1960 to 1982 in chronological order -- Notes -- References -- Index -- Backmatter

Spoofing the modern : satire in the Harlem Renaissance / / Darryl Dickson-Carr

• Record Nr.: UNINA9910796570203321
• Autore: Dickson-Carr Darryl <1968->
• Pubbl/distr/stampa: Columbia : , : University of South Carolina Press, , [2015]; ©2015
• Descrizione fisica: 1 online resource (173 p.)
• Classificazione: LIT004040
• Disciplina: 810.9/896073
• Soggetti: American literature - African American authors - History and criticism; Harlem Renaissance; Satire, American - History and criticism; African Americans in literature; African Americans in popular culture; Harlem (New York, N.Y.) Intellectual life 20th century
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Cover; Spoofing the Modern; Title; Copyright; Dedication; Contents; Acknowledgments; 1 Toward a Revision of the Harlem Renaissance; 2 The Importance of Being Iconoclastic: George S. Schuyler, the Messenger, and the Black Menckenites; 3 Wallace Thurman, Richard Bruce Nugent, and the Reification of "Race," Aesthetics, and Sexuality; 4 Dickties vs. Rats: Class and Regional Differences within the New Negro Movement; 5 Punchlines; Notes; Bibliography; Index
• Sommario/riassunto: "Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the "New Negro," or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from major New York-based presses, the Harlem Renaissance helped the talents, concerns, and criticisms of African Americans to reach a wider audience in the 1920s and 1930s. These writers and artists joined a growing chorus of modernity that frequently resonated in the caustic timbre of biting satire and parody. The Harlem Renaissance was simultaneously the first major African American ; literary movement of the twentieth century and the first major blooming of satire by African Americans. Such authors as folklorist and anthropologist Zora Neale Hurston, poet Langston Hughes, journalist George S. Schuyler, writer-editor-poet Wallace Thurman, physician Rudolph Fisher, and artist Richard Bruce Nugent found satire an attractive means to criticize not only American racism, but also the trials of American culture careening toward modernity. Frequently, they directed their satiric barbs toward each other, lampooning the painful processes through which African American artists struggled with modernity, often defined by fads and superficial understandings of culture. Dickson-Carr argues that these satirists provided the Harlem Renaissance with much of its most incisive cultural criticism. The book opens by analyzing the historical, political, and cultural circumstances that allowed for the "New Negro" in general and African American satire in particular to flourish in the 1920s. Each subsequent chapter then introduces the major satirists within the larger movement by placing each author's career in a broader cultural context, including those authors who shared similar views. Spoofing the Modern concludes with an overview that demonstrates how Harlem Renaissance authors influenced later cultural and literary movements"--