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1. |
Record Nr. |
UNINA9910796486003321 |
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Autore |
Tarasiewicz Philipp |
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Titolo |
AngularJS / / Philipp Tarasiewicz & Robin Böhm |
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Pubbl/distr/stampa |
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Heidelberg, Germany : , : Brainy Software, , 2014 |
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©2014 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (348 p.) |
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Disciplina |
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Soggetti |
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Open source software |
Web applications |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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""About the Authors""; ""Table of Contents""; ""Introduction""; ""Chapter 1 AngularJS Quick Start""; ""Chapter 2 Basic Principles and Concepts""; ""Chapter 3 The BookMonkey Project""; ""Chapter 4 Extending the Application""; ""Chapter 5 Project Management and Automation""; ""Chapter 6 Debugging""; ""Chapter 7 Frequently Asked Questions""; ""Index"" |
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2. |
Record Nr. |
UNINA9910299631003321 |
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Autore |
Nordgård Daniel |
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Titolo |
The Music Business and Digital Impacts : Innovations and Disruptions in the Music Industries / / by Daniel Nordgård |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018 |
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ISBN |
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Edizione |
[1st ed. 2018.] |
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Descrizione fisica |
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1 online resource (144 pages) |
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Collana |
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Music Business Research, , 2522-0837 |
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Disciplina |
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Soggetti |
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Economics |
Culture |
Technological innovations |
Cultural property - Protection |
Advertising media planning |
Information technology - Law and legislation |
Mass media - Law and legislation |
Music |
Cultural Economics |
Innovation and Technology Management |
Cultural Resource Management |
Media Planning |
IT Law, Media Law, Intellectual Property |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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This book provides rare insights into the difficult and complex dialogues between stakeholders within and outside the music industries in a time of transition. It builds on a series of recorded meetings in which key stakeholders discuss and assess options and considerations for the music industries’ transition to a digital era. These talks were closed to the public and operated under the Chatham House Rule, which means that they involved a very different type of discussion from those held in public settings, panels or conferences. As |
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such, the book offers a much more nuanced understanding of the industries’ difficulties in adjusting to changing conditions, demonstrating the internal power-struggles and differences that make digital change so difficult. After presenting a theoretical framework for assessing digital change in the music industries, the author then provides his research findings, including quotes from the Kristiansand Roundtable Conference. Following from these findings, he develops three critical concepts that explain the nature as well as the problems of the music industries’ adaptation process. In conclusion, he challenges the general definition of crisis in the music industries and contradicts the widely held view that digitalization is a case of vertical integration. |
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3. |
Record Nr. |
UNINA9910580225303321 |
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Autore |
Ganahl Simon <1981-> |
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Titolo |
Campus Medius: Digitales Kartografieren in den Kultur- und Medienwissenschaften / / Simon Ganahl |
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Pubbl/distr/stampa |
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Bielefeld : , : transcript Verlag, , [2022] |
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©2022 |
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ISBN |
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Descrizione fisica |
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1 online resource (360 p.) |
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Collana |
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Soggetti |
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SOCIAL SCIENCE / Media Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Inhalt -- Vorwort -- I. Überblick -- 1. Topografie: Campus Medius 1.0 -- 2. Topologie: Campus Medius 2.0 -- 3. Datenmodell und Infrastruktur -- 4. Mapping Modern Media -- II. Topografie -- 1. Flugfeld Aspern -- 2. Löwe von Aspern -- 3. Lassalle-Hof -- 4. Adolf-Hitler-Haus -- 5. UFA-Ton-Kino -- 6. Burgtheater -- 7. Engelmann-Arena -- 8. Friedensbrücken-Kino -- 9. Neue Freie Presse -- 10. Schlosspark Schönbrunn -- 11. Tonkino Fischer -- 12. Karl-Marx-Hof -- 13. Radio Wien -- 14. Deutsche Gesandtschaft -- |
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15. Schwarzenbergplatz -- III. Topologie -- 1. Den Verstand gebrauchen: Souveräne Zeichen -- 2. Das Leben einfangen: Prüfende Blicke -- 3. Die Stimme erheben: Gelenkte Sendungen -- IV. Anhang -- 1. Abbildungsverzeichnis -- 2. Quellenverzeichnis -- 3. Projektteam |
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Sommario/riassunto |
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Campus Medius erforscht und erweitert die Möglichkeiten der digitalen Kartografie in den Kultur- und Medienwissenschaften. Simon Ganahl dokumentiert die Entwicklung des Projekts von einer historischen Fallstudie zur Mapping-Plattform. Ausgehend von der Frage, was eine mediale Erfahrung ist, werden die Konzepte des Dispositivs und des Akteur-Netzwerks in ein Datenmodell übersetzt. Als Labor dient ein Zeit-Raumvon 24 Stunden im Mai 1933 in Wien, der von einer austrofaschistischen »Türkenbefreiungsfeier« geprägt ist. Diese Massenkundgebung wird multiperspektivisch kartografiert und in medienhistorische Netzwerke eingeflochten, die sich vom 17. Jahrhundert bis in unsere Gegenwart aufspannen. |
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