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1. |
Record Nr. |
UNINA9910795628003321 |
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Autore |
Malettke Klaus |
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Titolo |
Katharina Von Medici : Frankreichs Verkannte Königin / / Klaus Malettke |
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Pubbl/distr/stampa |
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Paderborn, Deutschland : , : Verlag Ferdinand Schöningh, , [2020] |
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©2020 |
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ISBN |
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Edizione |
[First edition.] |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Queens |
Queens - France |
France History Francis I, 1515-1547 |
France History Henry II, 1547-1559 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Copyright page -- Vorwort -- Kapitel 1 Schwarze und hagiographische Legenden -- Kapitel 2 Turbulente Kindheit und Jugend in Florenz und Rom -- Kapitel 3 Katharinas erste Ehejahre mit Herzog Heinrich von Orléans und ihre Aufnahme am Königshof -- Kapitel 4 Katharina: Gemahlin König Heinrichs II. von Frankreich (1547-1559) -- Kapitel 5 Katharinas Agieren im Konkurrenzkampf um Macht und Einfluß unter Franz II. (1559/1560) -- Kapitel 6 Katharina an der Macht -- Kapitel 7 Die Bartholomäusnacht (23./24. August 1572) und ihre Folgen bis zum Tod Karls IX. (30. Mai 1574) -- Kapitel 8 Katharina von Medici und Heinrich III. von 1574 bis 1589: Zäsur im politischen Leben der Königinmutter? -- Kapitel 9 Epilog -- -- Bildteil -- Karten -- Stammbäume -- Bibliographie -- Personenregister. |
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Sommario/riassunto |
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Blick ins BuchBis in die Gegenwart ist Katharina von Medici (1519 - 1589) eine sehr umstrittene Herrscherin geblieben. Nach dem Tod ihres Mannes Heinrich II. wurde sie im Alter von vierzig Jahren Regentin Frankreichs in einer Zeit eskalierender innerer und äußerer Krisen. Aus der religiösen Spaltung Frankreichs in Katholiken und Calvinisten (Protestanten) sowie aus sozialen und wirtschaftlichen Konflikten entstand eine Reihe blutiger Bürgerkriege. Katharinas Entscheidung, die |
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politischen Anführer der französischen Protestanten - der Hugenotten - in der "Bartholomäusnacht" von 1572 ermorden zu lassen, prägt bis heute ihr negatives Bild in vielen historischen Darstellungen, kann aber in der Rückschau als eine notgedrungene Präventivaktion gedeutet werden. Vor wie nach der "Bartholomäusnacht" hielt Katharina an einer Politik des Ausgleichs politisch-konfessioneller Spannungen fest. Klaus Malettke zeigt, dass Katharina von Medici weder eine "diabolische" noch eine "eisenharte" Königin war. Macht und politischer Einfluss waren für sie unverzichtbare Instrumente, um die Krise der Monarchie und der Dynastie überwinden zu können. Sie erweist sich als eine für ihre Zeit erstaunlich modern und pragmatisch anmutende Frau und eine herausragende Persönlichkeit über ihre Epoche hinaus. |
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2. |
Record Nr. |
UNISA996214038603316 |
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Titolo |
Coral reefs |
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Pubbl/distr/stampa |
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Berlin ; ; Heidelberg, : Springer |
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Disciplina |
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Soggetti |
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Coral reef biology |
Coral reefs and islands |
Biologie des récifs coralliens |
Récifs et îles de coraux |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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Note generali |
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3. |
Record Nr. |
UNINA9910427558403321 |
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Autore |
Peers Glenn |
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Titolo |
Animism, materiality and museums : how do Byzantine things feel? / / Glenn Peers |
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Pubbl/distr/stampa |
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Leeds : , : Arc Humanities Press, , 2020 |
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©2020 |
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ISBN |
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Edizione |
[New edition.] |
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Descrizione fisica |
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1 online resource (178 pages) : illustrations (black and white, and colour) ; |
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Collana |
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Collection development, cultural heritage, and digital humanities |
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Classificazione |
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Disciplina |
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Soggetti |
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Art, Byzantine |
Animism in art |
Geographical Subject Heading |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical material and index. |
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Nota di contenuto |
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Frontmatter -- CONTENTS -- List of Illustrations -- Acknowledgements -- Introduction -- Part 1. Animate Materialities from Icon to Cathedral -- Chapter 1. Showing Byzantine Materiality -- Chapter 2. The Byzantine Material Symphony: Sound, Stuff, and Things -- Part 2. Byzantine Things in the World: Animating Museum Spaces -- Chapter 3. Prelude on Transfiguring Exhibition -- Chapter 4. Transfiguring Materialities: Relational Abstraction in Byzantium and Its Exhibition -- Chapter 5. Framing and Conserving Byzantine Art: Experiences of Relative Identity -- Part 3. Pushing the Envelope, Breaking Out: Making, Materials, Materiality -- Chapter 6. Angelic Anagogy, Silver, and Matter's Mire -- Chapter 7. Late Antique Making and Wonder -- Chapter 8. Senses' Other Sides -- Epilogue -- Bibliography -- Index Contents [delete if appropriate]. |
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Sommario/riassunto |
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Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine |
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culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world. |
Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world. |
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