| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910795610103321 |
|
|
Autore |
James David E. <1945-> |
|
|
Titolo |
Power Misses II : Cinema, Asian and Modern / / David E. James |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
[2020], : John Libbey Publishing Ltd |
|
New Barnet, Herts |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (265 pages) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Asian Americans in motion pictures |
Motion pictures - California - Los Angeles - History |
Motion picture industry - East Asia |
Motion pictures - East Asia - History |
Electronic books. |
California Los Angeles |
East Asia |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di contenuto |
|
Cover -- POWER MISSES II CINEMA,ASIANANDMODERN -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword -- Chapter 1 Im Kwon-taek: Korean National Cinema and Buddhism -- Chapter 2 Im Kwon-taek's Use of Nativist Korean Culture as Allegories of Cinema: Ch'unhyang, Chihwaseon, and Hanji -- Chapter 3 The Name of a Desire: Recollections of Socialist Realism in East Asian Art Cinema -- Chapter 4 Tradition and the Movies: The Working-Class Asian American Avant-Garde in Los Angeles -- Chapter 5 The Sons and Daughters of Los: Culture and Community in Los Angeles -- Chapter 6 Toward a Geo-Cinematic Hermeneutics/The City as Means of Production: Representations of Los Angeles in Killer of Sheep and Water and Power -- Chapter 7 Expanded Cinema in Los Angeles: The Single Wing Turquoise Bird -- Chapter 8 L.A.'s Hipster Cinema -- Chapter 9 Film as an Instrument of Thought, Cinema as an Augury of Redemption: Ken Jacobs' The Sky Socialist -- Chapter 10 "Apotheosis Into Tragedy": Catoptrics of Self in Andy Warhol's Lupe -- Chapter 11 Letter to Paul Arthur (Letter With Endnotes) -- Chapter 12 Agricultural Revelation: |
|
|
|
|
|
|
|
|
|
|
|
Land, Labor, and Voice in Three Films About Laxton -- Index. |
|
|
|
|
|
|
Sommario/riassunto |
|
|
|
|
|
| |