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1. |
Record Nr. |
UNINA9910556097203321 |
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Titolo |
Kieliä ja kohtaamisia Turun historiassa : Näkökulmia monikielisyyteen / / Leena Kolehmainen, Aino Liira, Kirsi-Maria Nummila, editors. |
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Pubbl/distr/stampa |
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Helsinki : , : Finnish Literature Society / SKS, , 2021 |
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Descrizione fisica |
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1 online resource (360 pages) : illustrations |
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Collana |
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Suomalaisen Kirjallisuuden Seuran Toimituksia ; ; 16 |
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Disciplina |
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Soggetti |
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Language and languages - Usage |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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The present volume is a multidisciplinary collection of research articles exploring language use, language contact and multilingualism in the history of Turku, the first town in Finland, founded around the turn of the fourteenth century. Consisting of an introduction by the editors and nine case studies in the fields of linguistics, history, archeology, and literary and cultural studies, the volume participates in a wider discussion on multilingual communities while offering a closer look into linguistic encounters in Turku and its immediate vicinity. The volume covers the period from the Middle Ages (c. 1100-1500) to the latter half of the twentieth century. The case studies illustrate the wide array of languages, linguistic varieties and registers that the inhabitants and travellers used in their daily lives, the specific contexts in which certain languages were used, and the effects of these linguistic encounters at personal, social or institutional levels. |
Kieliä ja kohtaamisia Turun historiassa johdattaa lukijan Suomen vanhimman kaupungin rikkaaseen kielelliseen historiaan keskiajalta 1900-luvulle asti. Turku on ollut koko historiansa ajan kansainvälinen, monikulttuurinen ja monikielinen kaupunki. Teos piirtää kuvaa Turun kielellisestä maisemasta eri aikakausina ja osoittaa, kuinka kieli- ja kulttuurirajojen ylittäminen on ollut kautta aikojen kiinteä osa kaupunkiyhteisössä toimimista. Teos lähestyy monikielisyyttä kielitieteen, historian, arkeologian, kirjallisuustieteen ja kulttuuriperinnön tutkimuksen näkökulmista. Erilaisin metodein ja |
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erilaisten kirjallisten aineistojen, esineistön, arkeologisten löytöjen, murrenauhoitteiden ja muistitietoaineiston avulla se havainnollistaa, kuinka eri kielet usein kytkeytyvät tiettyihin tilanteisiin ja käyttötarkoituksiin. |
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2. |
Record Nr. |
UNINA9910795597703321 |
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Autore |
Titmarsh Mark |
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Titolo |
Expanded painting : ontological aesthetics and the essence of colour / / Mark Titmarsh |
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Pubbl/distr/stampa |
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[New York] : , : Bloomsbury Academic, , 2017 |
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ISBN |
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1-350-00419-7 |
1-350-00416-2 |
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Descrizione fisica |
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1 online resource (228 pages) |
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Disciplina |
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Soggetti |
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Aesthetics |
Art - Philosophy |
Color in art |
Ontology |
Painting - Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Chapter 1. The Presence of Paint -- Chapter 2. Expanded Painting -- Chapter 3. Post Aesthetics -- Chapter 4. An Ontology of Colour -- Chapter 5. The Painting of Being -- Notes -- Bibliography. |
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Sommario/riassunto |
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"The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and |
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performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenge both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting."--Bloomsbury Publishing. |
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