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Record Nr. |
UNINA9910795561603321 |
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Autore |
Niven Bill |
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Titolo |
Hitler and Film : The Führer's Hidden Passion / / Bill Niven |
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Pubbl/distr/stampa |
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New Haven, CT : , : Yale University Press, , [2018] |
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©2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (321 pages) : illustrations |
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Disciplina |
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Soggetti |
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National socialism and motion pictures |
Motion picture industry - United States - History - 20th century |
Motion pictures - Political aspects - United States - History - 20th century |
Germany |
United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references, filmography and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- 1. Films at the Berghof: Hitler's Home Cinema -- 2. From Bans to Commissions: Hitler Intervenes in the Film Industry -- 3. Hitler's Director: Leni Riefenstahl Films the 1933 Nuremberg Rally -- 4. Celebrating Hitler: Triumph of the Will and Olympia -- 5. The Führer at the Movies: Hitler in German Cinemas -- 6. Holding Court: Hitler and Actors -- 7. Watching over War: Hitler and Wartime Cinema -- 8. Preparing Genocide: The Nazi Films Jew Süss and The Eternal Jew -- 9. From Hero to Camera- shy: Hitler in the Nazi Wartime Newsreels -- 10. The Divinely Gifted: Movie Stars in Hitler's War -- Epilogue -- Notes -- Bibliography -- Filmography -- Index |
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Sommario/riassunto |
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An exposé of Hitler's relationship with film and his influence on the film industry A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship |
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with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler's vision for the medium went far beyond "straight propaganda." He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses. |
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