| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910452679403321 |
|
|
Titolo |
American television : new directions in history and theory / / edited by Nick Browne |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London ; ; New York : , : Routledge, , 2013 |
|
|
|
|
|
|
|
ISBN |
|
1-138-99039-6 |
1-135-02021-3 |
0-203-76645-8 |
1-135-02022-1 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (309 p.) |
|
|
|
|
|
|
Collana |
|
Routledge Library Editions: Television ; ; Volume 2 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Television broadcasting - United States |
Television broadcasting - Social aspects - United States |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
First published in 1994 by Harwood Academic Publishers. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; Half Title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; Introduction to the Series; Introduction; Part I: The Establishment of American Television: Industrial Organization and Social Meaning in the 1950s; 1. The Rise of the Telefilm and the Network's Hegemony Over the Motion Picture Industry; Introduction; The Rise of the Network Monopoly; The Role of Film in the Network Monopoly; The Majors' Relation to Television; Conclusion; Notes; 2. Failed Opportunities: The Integration of the US Motion Picture and Television Industries |
Failed InnovationOwnership and Antitrust; Conclusion; Notes; 3. The Meaning of Memory: Family, Class and Ethnicity in Early Network Television; The Meaning of Memory; Commercial Television and Economic Change; Family Formation and the Economy - The Television View; Work, Class, and Ethnicity; Dialogue, Negotiation, and Legitimation: Method and Theory; Notes; Part II: Cultural Theory and Network Television: Mapping Economy and Subjectivity; 4. The Political Economy of the Television (Super) Text; Theorizing Television; The Form and Genealogy of the Television ""Super-Text"" |
|
|
|
|
|
|
|
|
|
|
|
The Made-For-Television MovieThe Form of Television's Discursive Economy; Notes; 5. Viewing Television:The Metapsychology of Endless Consumption; Promise and Desire: A Contradiction; Television's Diffuse Regime; Some Implications Regarding Gender; The Politics of Interruption; Notes; 6. TV through the Looking Glass; Notes; Part III: Television Formats and the Inscription of Gender; 7. Speculations on the Relationship between Soap Opera and Melodrama; Methodological Preliminaries; Critical Categories and Gender; The Melodramatic Project; Melodrama and Realism; Melodrama and the Family |
Women's Culture, the Mass Media and Soap OperaSoap Opera and Domestic Fiction; Soap Opera as Serial Form; Soap Opera and Women's Culture; Soap Opera and Melodrama; Cultural Forms and National Cultures; Soap Opera Realism: Soap Opera Melodrama; Soap Opera and Gender; Soap Opera and Men's Culture; Provisional Conclusions; Notes; 8. The Return of the Unrepressed: Male Desire, Gender, and Genre; Some Questions Provoked by a Textual Excursus; The Complicity of the Male Viewer; The Gender-Genre Nexus: Untangling the Viewer's Complicity from the Nexus; Trouble in Patriarchy's Paradise? |
The 1980s Prepare the Way for the UnrepressedWise Guy and Thirtysomething and Gender: Autodiscursive Textual Analysis; Notes; 9. On Commuting Between Television Fictionand Real Life; On Applying a Program to Real Life; A First Look at the Data; Ludic Transitions: Forms of Identification with Characters; Formal Transitions; Conclusions; Notes; References; Part IV: Video Transformations: Gaming, Pictorialization, Surveillance; 10. Performing Style: Industrial-Strength Semiotics and the Basic Televisual Apparatus; 1. New Modes/ New Codes:; 1.1. The ""Painterly""; 1.2. IPlasticity"" |
1.3. ""Transparency"" |
|
|
|
|
|
|
Sommario/riassunto |
|
This work brings together writings on television published in Quarterly Review of Film and Video, from essays by Nick Browne and Beverle Houston to the latest historical and critical research. It considers television's economics, technologies, forms and audiences from a cultural perspective that links history, theory and criticism. The authors address several key issues: the formative period in American television history; the relation between television's political economy and its cultural forms; gender and melodrama; and new technologies such as video games and camcorders. Originally publish |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910795477103321 |
|
|
Titolo |
Relations between the European Union and Egypt after 2011 : determinants, areas of co-operation and prospects / / edited by Anna Potyrala, Beata Przybylska-Maszner, Sebastian Wojciechowski |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Berlin : , : Logos, , 2015 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (214 pages) : illustrations |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Authoritarianism - Egypt |
Human rights - Egypt |
Egypt Politics and government 21st century |
European Union countries Relations Egypt |
Egypt Relations European Union countries |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
PublicationDate: 20150815 |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references. |
|
|
|
|
|
|
Sommario/riassunto |
|
Long description: ``This publication is unique not only on a national but also international scale. It concerns the subject of the European Union's relations with Egypt after 2011 (including the earlier period), which is a highly topical issue and a very difficult one to analyse and explain. It is the outcome of a research grant titled 'The European Union towards the Transformation Processes in Egypt after 2011.' The authors largely belong to a small group of experts on North Africa and the Middle East, including Egypt. They are familiar with the literature on the subject from around the world and EU legislation. A significant strength of this project concerns the fieldwork carried out on site, in Egypt (literature, documents, interviews and observation), as well as direct contacts with European Union officials.'' Professor Arkadiusz Zukowski |
|
|
|
|
|
|
|
| |