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1. |
Record Nr. |
UNINA990005924570403321 |
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Autore |
Della Rocca, Guglielmo <1880-1944> |
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Titolo |
Contributo alla divisione de' diritti : riassunti critici ed esegesi per la scuola : schema di lezioni e di esercitazioni / Guglielmo Della Rocca |
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Pubbl/distr/stampa |
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Napoli : Federico e Ardia, 1929-1930 |
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Descrizione fisica |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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2. |
Record Nr. |
UNINA990006967820403321 |
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Titolo |
L'Individu face au pouvoir . Première partie Antiquité = = Man versus political power . First part Antiquity (eng) |
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Pubbl/distr/stampa |
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Bruxelles : De Boeck Université, 1989 |
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ISBN |
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Descrizione fisica |
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Collana |
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Recueils de la Société Jean Bodin pour l'histoire comparative des institutions = = Transactions of the Jean Bodin Society for comparative History ; 46 |
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Disciplina |
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Locazione |
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Collocazione |
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V H 96 (46) |
Direz. CONGR-062 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Contiene gli atti del "21. Congrès tenu à Athènes et à Delphes en 1981" |
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3. |
Record Nr. |
UNINA9910795432403321 |
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Autore |
Rehak Bob |
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Titolo |
More Than Meets the Eye : Special Effects and the Fantastic Transmedia Franchise / / Bob Rehak |
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Pubbl/distr/stampa |
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New York, NY : , : New York University Press, , [2018] |
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©2018 |
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ISBN |
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1-4798-9707-8 |
1-4798-6682-2 |
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Descrizione fisica |
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1 online resource : illustrations (black and white) |
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Collana |
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Postmillennial Pop ; ; 19 |
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Disciplina |
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Soggetti |
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Mass media |
Blockbusters (Motion pictures) |
Motion pictures - Production and direction - United States |
Cinematography - Special effects |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Includes bibliographical references and index |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Introduction -- 1. That Which Survives -- 2. Used Universes and Immaculate Realities -- 3. Chains of Evidence -- 4. Microgenres in Migration -- Conclusion -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author |
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Sommario/riassunto |
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A rare look at the role of special effects in creating fictional worlds and transmedia franchises From comic book universes crowded with soaring superheroes and shattering skyscrapers to cosmic empires set in far-off galaxies, today’s fantasy blockbusters depend on visual effects. Bringing science fiction from the studio to your screen, through film, television, or video games, these special effects power our entertainment industry. More Than Meets the Eye delves into the world of fantastic media franchises to trace the ways in which special effects over the last 50 years have become central not just to transmedia storytelling but to worldbuilding, performance, and genre in contemporary blockbuster entertainment. More Than Meets the Eye maps the ways in which special effects build consistent story worlds and transform genres while traveling from one media platform to the next. Examining high-profile franchises in which special effects have |
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played a constitutive role such as Star Trek, Star Wars, The Matrix, and The Lord of the Rings, as well as more contemporary franchises like Pirates of the Caribbean and Harry Potter, Bob Rehak analyzes the ways in which production practices developed alongside the cultural work of industry professionals. By studying social and cultural factors such as fan interaction, this book provides a context for understanding just how much multiplatform storytelling has come to define these megahit franchises. More Than Meets the Eye explores the larger history of how physical and optical effects in postwar Hollywood laid the foundation for modern transmedia franchises and argues that special effects are not simply an adjunct to blockbuster filmmaking, but central agents of an entire mode of production. |
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