1.

Record Nr.

UNINA9910794989503321

Autore

O'Gorman Farrell

Titolo

Catholicism and American Borders in the Gothic Literary Imagination [[electronic resource] /] / Farrell O'Gorman

Pubbl/distr/stampa

Notre Dame, : University of Notre Dame Press, 2017

ISBN

0-268-10220-1

0-268-10219-8

Descrizione fisica

1 online resource (339 pages)

Classificazione

REL013000REL010000LIT004180LIT008000

Disciplina

813/.087290938282

Soggetti

LITERARY CRITICISM / Asian / General

LITERARY CRITICISM / Gothic & Romance

RELIGION / Christianity / Catholic

RELIGION / Christianity / Literature & the Arts

Catholic fiction - History and criticism

American fiction - History and criticism

Nationalism and literature - United States - History

Catholics in literature

Gothic revival (Literature) - United States - History

Religion and literature - United States - History

American literature - History and criticism

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Sommario/riassunto

"In Catholicism and American Borders in the Gothic Literary Imagination, Farrell O'Gorman presents the first study of the recurrent role of Catholicism in a Gothic tradition that is essential to the literature of the United States. In this tradition, Catholicism is depicted as threatening to break down borders separating American citizens--or some representative American--from a larger world beyond. While earlier studies of Catholicism in the American literary imagination have tended to highlight the faith's historical association with Europe, O'Gorman stresses how that imagination often responds to a



Catholicism associated with Latin America and the Caribbean. On a deeper level, O'Gorman demonstrates how the Gothic tradition he traces here builds on and ultimately transforms the persistent image in modern Anglophone literature of Catholicism as "a religion without a country; indeed, a religion inimical to nationhood." O'Gorman focuses on the work of J. Hector St. John de Crevecoeur, Herman Melville, Kate Chopin, William Faulkner, Flannery O'Connor, Walker Percy, Cormac McCarthy, and selected contemporary writers including Toni Morrison. These authors, representing historical periods from the early republic to the present day, have distinct experiences of borders within and around their nation and hemisphere, itself an ever-emergent "America." As O'Gorman carefully documents, they also have distinct experiences of Catholicism and distinct ways of imagining the faith, often shaped at least in part within the Church itself. In their narratives, Catholicism plays a complicated and profound role that ultimately challenges longstanding notions of American exceptionalism and individual autonomy. This analysis contributes not only to discourse regarding Gothic literature and nationalism but also to a broader ongoing dialogue regarding religion, secularism, and American literature"--