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1. |
Record Nr. |
UNISA996389967903316 |
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Autore |
Moulton Thomas |
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Titolo |
The mirrour or glasse of health [[electronic resource] ] : Necessary and needefull for euery person to looke in, that will keepe their bodye from the sickenesse of the pestylence, and it sheweth how the planets do reygne euery hower of the day and nyght, wyth the natures and expositions of the xii. signes, deuyded by the twelue months of the yeare. And sheweth the remedyes for dyuers infirmyties and diseases that hurteth the body of man |
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Pubbl/distr/stampa |
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Imprinted at London, : In fleetestreate, beneath the Conduite, at the signe of S. Iohn Euangelist, by Hugh Iackson, [1580] |
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Descrizione fisica |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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An edition of: Moulton, Thomas. This is the myrour or glasse of helthe. |
Publication date suggested by STC. |
Signatures: A-G H⁴. |
Some print show-through. |
Reproduction of the original in the Bodleian Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910794834103321 |
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Autore |
Galliera Izabel |
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Titolo |
Socially engaged art after socialism : art and civil society in Central and Eastern Europe / / Izabel Galliera |
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Pubbl/distr/stampa |
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London, England : , : I.B. Tauris & Co. Ltd, , 2017 |
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London, England : , : Bloomsbury Publishing, , 2019 |
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ISBN |
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1-350-98806-5 |
1-78672-222-4 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (386 pages) : illustrations |
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Collana |
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International library of modern and contemporary art ; ; 33 |
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Disciplina |
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Soggetti |
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Art - Political aspects - Europe, Central |
Art - Political aspects - Europe, Eastern |
Communism and art - Europe, Central |
Communism and art - Europe, Eastern |
Social movements in art |
Social practice (Art) |
Socialism and art - Europe, Central |
Socialism and art - Europe, Eastern |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- Chapter 1. Points of Contention: Socially Engaged Art Practice in Contemporary Theory -- Chapter 2. Civil Society, and Social, Cultural and Political Capital -- Chapter 3. Historical Antecedents: Participatory Art under Socialism, 1956-89 -- Part 1. From Second Society to Civil Society -- Chapter 4. Civil Society in a Period of Post-Socialist Transition -- Chapter 5. Antipolitics: Exhibitions at the Soros Centres for Contemporary Art -- Chapter 6. Sofia: Participatory Public Art and Emerging Contemporary Art Institutions -- Part 2. From Localized Public Sites To EU Transnational Public Spheres -- Chapter 7. Place-Making: Framing Art in Public Spaces Curatorially -- Chapter 8. Representing Counterpublics in Bucharest, Budapest and Sofia -- Chapter 9. Contesting the Politics of Belonging in the Post-1989 EU Community -- Part 3. Institutionalized and Institutionalizing -- Chapter |
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10. Institutionalized Community Arts Programmes -- Chapter 11. Big Hope: Reviving Leftist Activism in Budapest -- Chapter 12. Self-Institutionalizing as Political Agency. |
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Sommario/riassunto |
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Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest. Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action. |
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