1.

Record Nr.

UNISA996393893203316

Autore

Woodward Ezekias <1590-1675.>

Titolo

A sons patrimony and daughters portion [[electronic resource] ] : payable to them at all times but best received in their first times when they are young and tender : laid-out without expence of money only in the improving time and words with them contained (in an answerablenesse to their ages) in two volumes .

Pubbl/distr/stampa

[London], : Printed for T. Vnderhill, 1643

Descrizione fisica

2 v. in 1

Altri autori (Persone)

GougeWilliam <1578-1653.>

Soggetti

Education

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

"A childes patrimony laid out vpon the good cvltvre or tilling over his whole man, the first part respecting a childe in his first and second age" and "A child's portion, the second par

"The epistle dedicatory" signed: Ezekias Woodward.

"To the reader" signed: William Gouge.

Reproduction of original in the University of Illinois (Urbana-Champaign Campus). Library.

Sommario/riassunto

eebo-0167



2.

Record Nr.

UNINA9910794502803321

Autore

Penner Barbara

Titolo

Extinct : A Compendium of Obsolete Objects

Pubbl/distr/stampa

London : , : Reaktion Books, Limited, , 2021

©2021

ISBN

1-78914-453-1

Descrizione fisica

1 online resource (391 pages)

Altri autori (Persone)

FortyAdrian

Horsfall TurnerOlivia

CritchleyMiranda

Disciplina

745.209

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

Blending architecture, design, and technology, a visual tour through futures past via the objects we have replaced, left behind, and forgotten.So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused--superseded, unfashionable, or simply forgotten. Extinctgathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate "extinct" objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.