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1. |
Record Nr. |
UNINA9910454699703321 |
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Titolo |
Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2008 |
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ISBN |
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1-107-18737-0 |
1-281-75130-8 |
9786611751302 |
0-511-41464-1 |
0-511-41532-X |
0-511-41304-1 |
0-511-41210-X |
0-511-48137-3 |
0-511-41396-3 |
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Descrizione fisica |
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1 online resource (ix, 345 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Music - 18th century - History and criticism |
Communication in music |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references (p. [318]-334) and indexes. |
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Nota di contenuto |
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Communication and the market. -- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley -- Listening to listeners / Mark Evan Bonds -- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck -- Part II : Musical grammar -- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : |
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once more, with feeling / Wye J. Allanbrook -- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski. |
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Sommario/riassunto |
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Written by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-century music under the broad rubric of communication. That such an impulse motivates musical composition and performance in this period of European musical history is often acknowledged but seldom examined in depth. The book explores a broad set of issues, ranging from the exigencies of the market for books and music in the eighteenth century through to the deployment of dance topoi in musical composition. A number of close readings of individual works by Mozart, Haydn and Beethoven draw on a sophisticated body of historically-appropriate technical resources to illuminate theories of form, metre, bass lines and dance topoi. Students and scholars of music history, theory and analysis will find in this volume a set of challenging, state-of-the-art essays that will stimulate debate about musical meaning and engender further study. |
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2. |
Record Nr. |
UNINA9910794171503321 |
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Titolo |
Walking through Elysium : Vergil’s Underworld and the Poetics of Tradition / / Bill Gladhill, Micah Young Myers |
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Pubbl/distr/stampa |
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Toronto : , : University of Toronto Press, , [2020] |
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©2020 |
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ISBN |
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1-4875-3265-2 |
1-4875-3264-4 |
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Descrizione fisica |
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1 online resource (vi, 302 pages) |
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Collana |
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Phoenix Supplementary Volumes |
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Disciplina |
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Soggetti |
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Voyages to the otherworld in literature |
Aeneid |
Augustine |
Christian |
Ovid |
Pagan |
Romantic |
Rome |
Seneca |
Shelley |
Statius |
Vergil |
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Virgil |
classical literature |
death |
literary reception |
poetry |
spirituality |
tradition |
underworld |
LITERARY CRITICISM / Ancient & Classical |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Introduction / Bill Gladhill and Micah Young Myers -- Into the Woods (Via Cuma 320, Bacoli) / Alessandro Barchiesi -- Walk in Vergil's Footsteps: Statius on the Via Domitiana / Emily Pillinger -- In the Sibyl's Cave: Vergilian Prophecy and Mary Shelley's Last Man / Maggie Kilgour -- Exploring the Forests of Antiquity: The Golden Bough and Early Modern Spirituality / Matteo Soranzo -- Aeneas' Steps / Miguel Herrero de Jáuregui -- Vergil's Underworld and the Afterlife of Lovers and Love Poets / Micah Young Myers -- Vergilian Underworlds in Ovid / Alison Keith -- Mortem aliquid ultra est: Vergil's Underworld in Senecan Tragedy / Bill Gladhill -- Servius on Sinners and Punishments in Vergil's Underworld / Fabio Stok --10. Paradise and Performance in Vergil's Underworld and Horace's Carmen Saeculare / Lauren Curtis -- Why Isn't Homer in Vergil's Underworld? And Other Notable Absences / Emily Gowers -- Silence of Aeneid 6 in Augustine's Confessions / Jacob L. Mackey -- Spiritualism as Textual Practice / Grant Parker. |
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Sommario/riassunto |
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"Walking through Elysium stresses the subtle and intricate ways writers across time and space wove Vergil's underworld in Aeneid 6 into their works. These allusions operate on many levels, from the literary and political to the religious and spiritual. Aeneid 6 reshaped prior philosophical, religious, and poetic traditions of underworld descents, while offering a universalizing account of the spiritual that could accommodate prior as well as emerging religious and philosophical systems. Vergil's underworld became an archetype, a model flexible enough to be employed across genres, and periods, and among differing cultural and religious contexts. The essays in this volume speak to Vergil's incorporation of and influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized, tracing the impact of Vergil's underworld on authors such as Ovid, Seneca, Statius, Augustine, and Shelley, from Pagan and Christian traditions through Romantic and Spiritualist readings. Walking through Elysium asserts the deep and lasting influence of Vergil's underworld from the moment of its publication to the present day."-- |
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