1.

Record Nr.

UNINA990009200380403321

Autore

German, James

Titolo

Chromosomes and Cancer / James German

Pubbl/distr/stampa

New York ; London ; Sydney ; Toronto : John Wiley & Sons, 1974

ISBN

0-471-29682-1

Descrizione fisica

XXV, 756 p. : ill. ; 24 cm

Collana

Chromosomes Series: A Wiley Biomedical-Health Series , Chromosomes and Cancer ; 1

Locazione

DBEC

Collocazione

AUpc 3D 26

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNICASRML0296506

Autore

Conforti, Benedetto

Titolo

Le nazioni unite / Benedetto Conforti

Pubbl/distr/stampa

Padova, : Cedam, ©2002

ISBN

8813227442

Descrizione fisica

342 p. ; 24 cm.

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



3.

Record Nr.

UNINA9910794160103321

Autore

Stolte Gretchen M.

Titolo

Aboriginal and Torres Strait Islander art : an anthropology of identity production in far north Queensland / / Gretchen M. Stolte

Pubbl/distr/stampa

Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2021

©2021

ISBN

1-00-308436-2

1-000-18237-1

1-000-18555-9

1-003-08436-2

1-350-09724-1

Descrizione fisica

1 online resource (247 pages)

Disciplina

704.039915

Soggetti

Art, Aboriginal Australian

Art

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- Figures -- Tables -- Preface -- Acknowledgements -- 1 Art and identity -- 2 Curios and artefacts -- 3 The history of the studio -- 4 The studio today -- 5 Disciplining the artist -- 6 Value creation and the market -- 7 Design elements -- 8 Cultural content -- 9 True North -- Bibliography -- Index

Sommario/riassunto

Aboriginal and Torres Strait Islander Art explores the effects of Queensland government policies on urban First Nation artists. While such art has often been misinterpreted as derivative lesser copies of true' Indigenous works, this book unveils new histories and understandings about the mixed legacy left for Queensland Indigenous artists. Gretchen Stolte uses rich ethnographic detail to illuminate how both Aboriginal and Torres Strait Islander artists understand and express their heritage. She specifically focuses on artwork at the Aboriginal and Torres Strait Islander art studio in the Tropical North Queensland College of Technical and Further Education (TNQT TAFE), Cairns. Stolte's ethnography further develops methodologies in art



history and anthropology by identifying additional methods for understanding how art is produced and meaning is created.