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1. |
Record Nr. |
UNINA9910480128403321 |
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Autore |
bochnakowa anna |
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Titolo |
Le bon français de la fin du XXe siècle Chronicle du „Figaro" 1996-2000 [[electronic resource]] |
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Pubbl/distr/stampa |
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Kraków, : Jagiellonian University Press, 2005 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (149 p.) |
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Disciplina |
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Soggetti |
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French language |
Language |
Linguistics |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Table des matières; Avant-propos; Introduction; 1-ere partie. Prèliminaires; Entre la norme et ląusage en linguistigue; Language en ètat critique; Institutions de sauvetage; Chroniques de langage; 2-e partie. > - une rubrigue du >; Auteurs; Presentation du corpus; Prononciation; Ortographe; Morphologie; Lexique; Correction; Explications et commentaires; 3-e partie. Rècapitulation; Queiques chiffres; Dètails lingustiques traitès; Actualitè reflètèe dans la langue; Image du >; Conclusion; Bibliographie; Index des mots et locutions |
Liste chronologique de la rubrique > septembre 1996 - dècembre 2000) |
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Sommario/riassunto |
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Les chroniques de langage publiées dans les journaux restent toujours un témoignage précieux pour un historien de la langue. Celles qui sont accueillies, depuis bientôt une dizaine d'années, dans la rubrique Le bon français dans «Le Figaro», tracent une image vivante et passionnée du français actuel. Plusieurs auteurs décrivent, critiquent et corrigent les faits de langue que l'usage impose. Leurs «billets d'humeur», souvent pleins d'humour et d'ironie, instruisent et amusent. A travers les observations relatives à la langue, l'image de la société contemporaine se laisse percevoir, dessinée |
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2. |
Record Nr. |
UNINA9910793935003321 |
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Autore |
Smith Philip <1983-> |
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Titolo |
Shakespeare in Singapore : performance, education, and culture / / Philip Smith |
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Pubbl/distr/stampa |
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Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2020 |
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©2020 |
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ISBN |
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0-429-77211-4 |
0-429-43015-9 |
0-429-77212-2 |
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Descrizione fisica |
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1 online resource (217 pages) |
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Collana |
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Routledge advances in theatre and performance studies |
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Disciplina |
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Soggetti |
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Theater - Singapore - History |
Arts - Singapore - History |
DRAMA / Asian |
DRAMA / Shakespeare |
Singapore Civilization English influences |
Singapore Intellectual life |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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List of Illustrations Acknowledgments Introduction Part 1: A Taste of Home -- 1819 to 1900 Part 2: 'A great and perceptive love' -- 1900 to 1942 Part 3: Shakespeare in the Final Days of British Rule -- 1942 to 1963 Part 4: Playing Balthazar -- 1963 to 1980 Part 5: 'Not pukka' -- 1980 to 1990 Part 6: 'If I profane with my unworthiest hand' -- 1990 to 2000 Part 7: 'To shake the head, relent, and sigh' -- 2001 to 2019 ...and exits Bibliography Index. |
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Sommario/riassunto |
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Shakespeare in Singapore provides the first detailed and sustained study of the role of Shakespeare in Singaporean theatre, education, and culture. This book tracks the role and development of Shakespeare in education from the founding of modern Singapore to the present day, drawing on sources such as government and school records, the entire span of Singapore's newspaper archives, playbills, interviews with educators and theatre professionals, and existing academic sources. By |
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uniting the critical interest in Singaporean theatre with the substantial body of scholarship that concerns global Shakespeare, the author overs a broad, yet in-depth, exploration of the ways in which Singaporean approaches to Shakespeare have been shaped by, and respond to, cultural work going on elsewhere in Asia. A vital read for all students and scholars of Shakespeare, Shakespeare in Singapore offers a unique examination of the cultural impact of Shakespeare, beyond its usual footing in the Western world. |
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3. |
Record Nr. |
UNINA9910483501503321 |
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Titolo |
The Object of Comedy : Philosophies and Performances / / edited by Jamila M. H. Mascat, Gregor Moder |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
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ISBN |
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Edizione |
[1st ed. 2019.] |
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Descrizione fisica |
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1 online resource (300 pages) : illustrations |
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Collana |
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Performance Philosophy, , 2057-7176 |
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Disciplina |
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Soggetti |
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Theater - History |
Performing arts |
Theater |
Philosophy |
Contemporary Theatre and Performance |
Theatre and Performance Arts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Section 1 - Comic Philosophy -- Chapter 1. The uncanny and the comic. Freud avec Lubitsch - Mladen Dolar -- Chapter 2. How They Fought - Sandra Laugier -- Chapter 3. Hegel and the Misadventures of Consciousness. On Comedy and Revolutionary Partisanship - Jamila M. H. Mascat -- Chapter 4. The Aborted Object of Comedy & the Birth of |
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the Subject. Socrates and Aristophanes' Alliance - Rachel Aumiller -- Section 2 - Comic Psychoanalysis -- Chapter 5. The Three Moments of Comedy - Robert Pfaller -- Chapter 6. From Objects of Desire to Objects of Comedy in Chaplin's Modern Times - Alfie Bown -- Chapter 7. Where Does Dirt Come From? - Alenka Zupančič -- Section 3 - Screening Comedy -- Chapter 8. Seriously Funny: Comedy and Authority in The Boss of it All - Benjamin Noys -- Chapter 9. Stoicism, Causality, Divine Providence and Comedy in Buster Keaton's The General - Lisa Trahair -- Chapter 10. Bad Cops - Todd McGowan -- Section 4 - Performing Comedy -- Chapter 11. Richard Pryor, the Conedian - Alexi Kukuljevic -- Chapter 12. Comedy as Performance - Gregor Moder -- Chapter 13. After Death Comes Humour. On the Poetics of Alexander Vvedensky - Keti Chukhrov -- Chapter 14. Asking for It. An exchange - Cassandra Seltman and Vanessa Place -- Chapter 15. Of Organic Comedies. Interview with Romeo Castellucci - Jamila M.H. Mascat. |
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Sommario/riassunto |
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What is the object of comedy? What makes us laugh and why? Is comedy subversive, restorative or reparative? What is at stake politically, socially and metaphysically when it comes to comedic performances? This book investigates not only the object of comedy but also its objectives - both its deliberate goals and its unintended side effects. In researching the object of comedy, the contributions gathered here encounter comedy as a philosophical object: instead of approaching comedy as a genre, the book engages with it as a language, a medium, an artifice, a weapon, a puzzle or a trouble, a vocation and a repetition. Thus philosophy meets comedy at the intersection of various fields (e.g. psychoanalysis, film studies, cultural studies, and performance studies) -regions that comical practices and theories in fact already traverse. |
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