1.

Record Nr.

UNISA990000497020203316

Autore

CONCINA, Ennio

Titolo

La città degli ebrei : il ghetto di Venezia : architettura e urbanistica / Ennio Concina, Ugo Camerino, Donatella Calabi

Pubbl/distr/stampa

Venezia, : Albrizzi, 1991

ISBN

88-317-5489-0

Descrizione fisica

317 p. : ill. ; 32 cm

Collana

Venetiae

Altri autori (Persone)

CAMERINO, Ugo

CALABI, Donatella

Disciplina

720.945311

Soggetti

Architettura - Venezia - Ghetto

Collocazione

XII.2.B. 623(VII G 238)

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910793758803321

Titolo

The Routledge Handbook of Postcolonial Social Work

Pubbl/distr/stampa

Milton, : Routledge, 2019

ISBN

0-429-88861-9

0-429-46872-5

0-429-88862-7

Descrizione fisica

1 online resource (377 pages)

Collana

Routledge international handbooks

Altri autori (Persone)

KleiblTanja

LutzRonald <1951->

NoyooNdangwa <1968->

BenjaminBunk

AnnikaDittmann

BoitumeloSeepamore

Disciplina

361.3091724

Soggetti

Social service - Practice - Developing countries

Social service - Practice

Postcolonialism - Developing countries

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Sommario/riassunto

The Routledge Handbook of Postcolonial Social Work reflects on and dissects the challenging issues confronting social work practice and education globally in the post-colonial era. By analysing how countries in the so-called developing and developed world have navigated some of the inherited systems from the colonial era, it shows how they have used them to provide relevant social work methods which are also responsive to the needs of a postcolonial setting. This is an analytical and reflexive handbook that brings together different scholars from various parts of the world - both North and South - so as to distill ideas from scholars relating to ways that can advance social work of the South and critique social work of the North in so far as it is used as a template for social work approaches in postcolonial settings. It determines whether and how approaches, knowledge-bases, and



methods of social work have been indigenised and localised in the Global South in the postcolonial era. This handbook provides the reader with multiple new theoretical approaches and empirical experiences and creates a space of action for the most marginalised communities worldwide. It will be of interest to researchers and practitioners, as well as those in social work education.

3.

Record Nr.

UNINA9910826701603321

Autore

Carson Mina Julia

Titolo

Girls rock! : fifty years of women making music / / Mina Carson, Tisa Lewis, Susan M. Shaw ; with a foreword by Jennifer Baumgardner and Amy Richards

Pubbl/distr/stampa

Lexington, Kentucky : , : The University Press of Kentucky, , 2004

©2004

ISBN

0-8131-2904-4

0-8131-5010-8

Descrizione fisica

1 online resource (272 p.)

Disciplina

781.66/082

Soggetti

Women rock musicians

Feminism and music

Rock music - History and criticism

Music - Social aspects

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Girls with guitars -- Sex, race, and rock'n'roll -- The singer and the song -- The girls in the band -- Imagine my surprise! : the women's music movement -- Who's that girl? : women and image in rock 'n'roll -- The business -- Survival : ("pretty good for a girl").

Sommario/riassunto

With a foreword by Jennifer Baumgardner and Amy Richards Girls Rock! explores the many ways women have defined themselves as rock musicians in an industry once dominated and controlled by men. Integrating history, feminist analysis, and developmental theory, the authors describe how and why women have become rock musicians --



what inspires them to play and perform, how they write, what their music means to them, and what they hope their music means to listeners. As these musicians tell their stories, topics emerge that illuminate broader trends in rock's history. From Wanda Jackson's revolutio