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Record Nr. |
UNINA9910793757403321 |
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Autore |
Harris Max <1949-> |
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Titolo |
Christ on a donkey : Palm Sunday, triumphal entries, and blasphemous pageants / / Max Harris [[electronic resource]] |
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Pubbl/distr/stampa |
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Leeds : , : Arc Humanities Press, , 2019 |
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ISBN |
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1-64189-957-3 |
1-64189-289-7 |
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Descrizione fisica |
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1 online resource (xii, 277 pages) : digital, PDF file(s) |
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Collana |
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Disciplina |
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Soggetti |
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Palm Sunday |
Processions, Religious - Christianity |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 20 Nov 2020). |
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Nota di bibliografia |
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Includes bibliographical references (pages 231-268) and index. |
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Nota di contenuto |
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Introduction: From pomp to donkeys -- I. Triumphal entries: from charlemagne to Oliver Cromwell. Charlemagne's birthday pomp -- Kings dead or alive -- Warrior popes -- Mud, plauge, and the Lord Protector -- II. Palm Sunday processions: from Egeria to Peter the Great. Palms of victory -- Exalted and eccentric images -- Crusaders, patriarchs, and emperors -- The horse with donkey's ears -- James Nayler and Jesus of Nazareth. James Nayler's royal progress -- Jesus on a jackass -- I.A scarcity of donkeys: from Udine to El Alto. Under Muslim rule -- White horses and imagined donkeys -- Live donkeys at last -- II. Wooden Christs on wooden donkeys" from Augsburg to Chiquitos. An image of the Lord seated on an ass -- The Lord God belongs to the butchers -- The persecution of the Palmesel -- Baroque splendour and Catholic Enlightenment -- The donkey that walked on water -- Survivals and revivals -- Conclusion: Christ dismembered and the bombing of Lübeck. |
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Sommario/riassunto |
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'Christ on a Donkey' reveals Palm Sunday processions and related royal entries as both processional theatre and highly charged interpretations of the biblical narrative. Harris's narrative ranges from ancient Jerusalem to modern-day Bolivia, from veneration to iconoclasm, and from Christ to Ivan the Terrible. A curious theme emerges: those representations of Christ's entry into Jerusalem that were labelled blasphemous or idolatrous by those in power were most faithful to the |
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