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Record Nr. |
UNINA9910793594803321 |
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Autore |
Jones Dafydd <1965-> |
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Titolo |
The fictions of Arthur Cravan : Poetry, boxing and revolution / / Dafydd W. Jones |
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Pubbl/distr/stampa |
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Baltimore, Maryland : , : Project Muse, , 2019 |
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Baltimore, Md. : , : Project MUSE, , 2019 |
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©2019 |
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ISBN |
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1-5261-3325-3 |
1-5261-3324-5 |
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Descrizione fisica |
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1 online resource (336 pages) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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On the genealogy of Arthur Cravan -- Enter Colossus -- To be an American in Paris -- 'All words are lies' : Maintenant, April 1912-July 1913 -- 'Life has no solution' : Maintenant, November 1913-April 1915 -- The vision of struggling movement : Barcelona 1916 -- 'Pure affect' : New York 1917 -- Being as being, and nothing more. |
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Sommario/riassunto |
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The legendary poet and boxer Arthur Cravan, a fleeting figure on the periphery of early twentieth-century European avant-gardism, is frequently invoked as proto-Dada and Surrealist exemplar. Yet he remains an insubstantial phenomenon, not seen since 1918, lost through historical interstices, clouded in drifting untruths. This study processes philosophical positions into a practical recovery -- from nineteenth-century Nietzsche to twentieth-century Deleuze -- with thoughts on subjectivity, metaphor, representation and multiplicity. From fresh readings and new approaches -- of Cravan's first published work as a manifesto of simulation; of contributors to his Paris review Maintenant as impostures for the Delaunays; and of the conjuring of Cravan in Picabia's elegiac film Entr'acte -- The fictions of Arthur Cravan concludes with the absent poet-boxer's eventual casting off into a Surrealist legacy, and his becoming what metaphor is: a means |
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