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1. |
Record Nr. |
UNINA9910793511203321 |
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Autore |
Aĭlisli Akram |
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Titolo |
Farewell, Aylis : a non-traditional novel in three works / / Akram Aylisli ; translated by Katherine E. Young ; edited by Rebecca Ruth Gould |
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Pubbl/distr/stampa |
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Boston : , : Academic Studies Press, , [2018] |
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©2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (338 p.) |
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Collana |
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Central Asian literatures in translation |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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LITERARY CRITICISM / General |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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includes bibliographical references. |
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Nota di contenuto |
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Yemen -- Stone dreams -- A colossal traffic jam. |
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Sommario/riassunto |
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The three novellas of Farewell, Aylis take place over decades of transition in a country that rather resembles modern-day Azerbaijan. In Yemen, a Soviet traveler takes an afternoon stroll and finds himself suspected of defecting to America. In Stone Dreams, an actor explores the limits of one man's ability to live a moral life amid conditions of sociopolitical upheaval, ethnic cleansing, and petty professional intrigue. In A Fantastical Traffic Jam, those who serve the aging leader of a corrupt, oil-rich country scheme to stay alive. Farewell, Aylis, a new essay by the author that reflects on the political firestorm surrounding these novellas and his current situation as a prisoner of conscience in Azerbaijan, was commissioned especially for this Academic Studies Press edition. |
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2. |
Record Nr. |
UNINA9911008927403321 |
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Autore |
McBride Joseph |
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Titolo |
John Ford |
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Pubbl/distr/stampa |
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Lexington : , : University Press of Kentucky, , 2023 |
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©2023 |
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ISBN |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (349 pages) |
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Collana |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Cover -- Title Page -- Copyright -- Contents -- 1. Bringing in the Sheaves -- 2. "Half Genius, Half Irish -- 3. Himself -- 4. The Noble Outlaw: Straight Shooting, Stagecoach, Wagon Master -- 5. Men and Women at War: They Were Expendable, My Darling Clementine, Fort Apache -- 6. Ireland: The Quiet Man, The Rising of the Moon -- 7. Rebels: The Sun Shines Bright, The Searchers -- 8. What Really Happened: Sergeant Rutledge, The Man Who Shot Liberty Valance, "The Civil War -- 9. The Last Place on Earth: 7 Women -- 10. Addenda: Rediscovering John Ford's Silent Years -- John Ford, Irish American Poet -- John Ford and Race: "We Were on Both Sides of the Epic" -- and "The Morals of Decorum": John Ford, Poet and Comedian -- Acknowledgments -- Filmography -- Selected Bibliography -- Screen Classics. |
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Sommario/riassunto |
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Orson Welles was once asked which directors he most admired. He replied: "The old masters. By which I mean John Ford, John Ford, and John Ford." A legend in his own time, John Ford (1894-1973) received a record four Academy Awards for best director, and two of his World War II documentaries won Oscars for the US Navy. He directed 136 films in a career that lasted from the early silent era through the late 1960s. Ford is celebrated throughout the world as the cinema's foremost chronicler of American history, the leading poet of the Western genre, and a wide-ranging filmmaker of profound emotional |
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impact. His classic films-including Stagecoach (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), The Quiet Man (1952), The Searchers (1956), and The Man Who Shot Liberty Valance (1962)-remain widely popular, and he has been acknowledged as a major influence on filmmakers such as Jean Renoir, Ingmar Bergman, Akira Kurosawa, Howard Hawks, Frank Capra, Samuel Fuller, Elia Kazan, Sidney Lumet, Martin Scorsese, Steven Spielberg, and George Lucas. In this groundbreaking critical study, Joseph McBride and Michael Wilmington provide an overview of Ford's career as well as in-depth analyses of key Ford films. Analyzing recurring Fordian themes and relating each film to his entire body of work, the authors insightfully explore the full richness of Ford's tragicomic vision of history. This new and revised version includes a study of the twenty-seven Ford silent films now known to survive in whole or in part (more than double the number available when the original edition was published); essays on three controversial aspects of Ford: his tragicomic sensibility, his views of race, and the influence of his Irish heritage; and an expanded version of McBride's interview with Ford on the last day of his career. |
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