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Record Nr. |
UNINA9910793388803321 |
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Autore |
Schulting Dennis |
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Titolo |
Kant's deduction from apperception : an essay on the transcendental deduction of the categories / / Dennis Schulting |
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Pubbl/distr/stampa |
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Berlin ; ; Boston, Massachusetts : , : De Gruyter, , [2018] |
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2018 |
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ISBN |
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3110582872 |
3110584301 |
9783110584301 |
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Edizione |
[Second revised edition] |
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Descrizione fisica |
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1 online resource (372 pages) |
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Collana |
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Kantstudien. Erganzungshefte ; ; 203 |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Preface to the New Edition -- Preface to the First Edition -- Key to Abbreviations of Cited Primary Works -- 1. Introduction: The Categories and Apperception -- 2. The 'Herz' Question -- 3. The Quid Juris -- 4. The Master Argument -- 5. The Unity of Thought: On the Guiding Thread -- 6. Apperception and the Categories of Modality -- 7. Apperception and the Categories of Relation -- 8. Apperception and the Categories of Quality -- 9. Apperception and the Categories of Quantity -- 10. From Apperception to Objectivity -- 11. On the 'Second Step' of the B-Deduction -- Bibliography of Secondary Literature -- Index of Names -- Index of Subjects |
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Sommario/riassunto |
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In focusing on the systematic deduction of the categories from a principle, Schulting takes up anew the controversial project of the eminent German Kant scholar Klaus Reich, whose monograph "The Completeness of Kant's Table of Judgments" made the case that the logical functions of judgement can all be derived from the objective unity of apperception and can be shown to link up with one another systematically. Common opinion among Kantians today has it that Kant did not mean to derive the functions of judgement, and accordingly the categories, from the principle of apperception. Schulting challenges |
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this standard view and aims to resuscitate the main motivation behind Reich's project. He argues, in agreement with Reich's main thesis about the derivability of the functions of judgement, that Kant indeed does mean to derive, in full a priori fashion, the categories from the principle of apperception. Schulting also shows that, given the general assumptions of the Critical philosophy, Kant's derivation is successful and that absent an account of the derivation of the categories from apperception, the B-Deduction cannot really be understood. New edition. First published 2012 as "Kant's Deduction and Apperception. Explaining the Categories" (Palgrave Macmillan) |
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2. |
Record Nr. |
UNINA9910476896103321 |
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Autore |
Mohr Ernst <p>Ernst Mohr, Universität St. Gallen, Schweiz </p> |
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Titolo |
The Production of Consumer Society : Cultural-Economic Principles of Distinction / Ernst Mohr |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2021 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (340 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Consumption |
Aesthetics |
Style |
Culture |
Distinction |
Economy |
Sociology of Culture |
Cultural Theory |
Economics |
Sociology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Content -- Preface -- Part 1: Culture of Dissimilarity -- Chapter 1. Material -- Chapter 2. Style -- Chapter 3. Distant and Near Vision -- PART 2: THE PRODUCTIVE CONSUMER -- Introduction -- Chapter 4. Inside Culture's Sorting Plant -- Chapter 5. Social Volition and Cultural Prowess -- Chapter 6. Cultural Selection -- Chapter 7. Social Evolution -- PART 3: THE STYLISH PRESENT DAY -- Introduction -- Chapter 8. Cultural Juxtaposition and Stylistic Fertilisation -- Chapter 9. Identity Industry -- Chapter 10. The Added Value of Becoming -- Bibliography -- List of Figures -- Index |
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Sommario/riassunto |
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With a novel quality theory of consumption which treats opulence and self-restraint in consumption styles symmetrically, Ernst Mohr shows how social distance and proximity are communicated by consumption and produced by communication. He positions fringe styles with those of the mainstream in an overall stylistic system of society and analyses their encounters. Rigorously derived, the approach casts fresh light on the cultural and social evolution as well as the business models of the consumer industry. It provides a coherent interdisciplinary access to the aesthetic turn of society that has so far been treated with contradictory paradigms. |
Besprochen in:Journal of Economic Literature, 60/1, (2022) |
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