| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910793197903321 |
|
|
Autore |
Haiven Max <1981-> |
|
|
Titolo |
Art after money, money after art : creative strategies against financialization / / Max Haiven |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London : , : Pluto Press, , 2018 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (305 pages) : illustrations |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Art - Economic aspects |
Money in art |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction. Financialization and the imagination -- The best of enemies, the worst of friends -- Why bother? Activist questions -- Caveats toward abolition. |
Part one. Three point five artistic strategies to envision money's mediation. Crises of representation -- Money, abstraction and transformation -- The art of money, the financialization of art, and a half-strategy -- Strategy 1: revelation -- Strategy 2: reflexivity -- On mediation -- Strategy 3: rendering labor visible. |
Part two. Six artists x two crises x three orders of reproduction. Three theories of reproduction == Three artists, c.1973 -- Dawning financialization. |
Part three. Zero participation: benign pessimism, tactical parasitics and the encrypted common. You can't give it away like you used to -- Social practices -- Cruel optimism. |
Part four. Encryption: art's crypt, securitization in numbers, derivative socialities. The cryptic market -- A financialized society of control -- Freeport empire -- Palaces of encrypted culture -- A crypt within a crypt -- Popular unrest -- Derivative sociality -- Debtfair -- Epilogue: Beyond crypto. |
Conclusion. Toward abolitionist horizons. A abolitionist approach -- Another reproduction -- Beyond fascism. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Haiven uses money-art--the work of visual, performance and participatory artists who use money as medium or material for artistic |
|
|
|
|
|
|
|
|
|
|
intervention or expression--to help tell a story or a suite of short stories, about the relationship between culture and the economy in a time when the line between the two is increasingly blurred. By exploring the way contemporary artists engage with cash, debt and credit, the author identifies and assesses a range of creative strategies for mocking, sabotaging, exiting, decrypting and hacking capitalism today. --Adapted from publisher description. |
|
|
|
|
|
| |