Introduction: film and|as philosophy: an elective affinity? / Bernd Herzogenrath -- Striking poses: gesture, image, and remake in the cinematic Bergson / John Ó Maoiarca -- Hugo Mensterberg, film, and philosophy / Robert Sinnerbrink -- Different, even wholly irrational arguments: the film-philosophy of Bela Balezs / Adrian Martin -- This is your brain on cinema: Antonin Artaud / Gregory Flaxman -- From lyrosophy to "anti-philosophy": the thought of cinema in Jean Epstein / Christophe Wall-Romana -- Montage Eisenstein: mind the gap / Julia Vassilieva -- Andre Bazin's film theory and the history of ideas / Angela Dalle Vacche -- Strange topologics: Deleuze takes a ride down David Lynch's Lost highway / Bernd Herzogenrath -- Hurray for Hollywood: philosophy and cinema according to Stanley Cavell / Elisabeth Bronfen -- Thinking cinema with Alain Badiou / Alex Ling -- Thinking as feast: Raymonde Carasco / Nicole Brenez -- Ranciere's film theory as deviation / Tom Conley -- Movie-made philosophy / Noel Carroll -- "Not time's fool": marriage as an ethical relationship in Michael Haneke's Amour -- Thomas E. Wartenberg -- Experience and explanation in the cinema / Murray Smith. |