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1. |
Record Nr. |
UNINA9910495899603321 |
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Autore |
Hayez-Melckenbeeck Cécile |
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Titolo |
Prose sur le nom de Ponge / / Cécile Hayez-Melckenbeeck |
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Pubbl/distr/stampa |
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Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2020 |
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ISBN |
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Descrizione fisica |
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1 online resource (240 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Poetry |
Literature (General) |
poésie |
littérature |
prose |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Les lecteurs pongiens aiment à se dire séparés en deux camps : les tenants d’un Ponge phénoménologue et ceux d’un Ponge formaliste. Une telle représentation, posturalement conflictuelle et scientifiquement peu féconde, devait d’urgence être démontée. Peut-être phénoménologie et formalisme pongiens ne sont-ils que les manifestations d’un seul et même principe. Ce qu’ils donnent à lire, c’est l’empressement du poète à organiser sans relâche les deux grands corps qui enveloppent le genre humain, le monde extérieur et celui du langage. La démarche pongienne témoignerait ainsi d’une passion incontrôlée... pour l’ordre et le rangement. Ce caractère obsessionnel de l’écriture serait la signature de Francis Ponge, l’emprunte qu’il laisse sur tout ce qu’il manipule. Cela divise les lecteurs, mais ne le sépare pas. Les uns seront plus sensibles au geste de colmatage produit par cette immense machine textuelle, les autres à l’effet de brouillage qui en résulte, ressenti comme machination. Dans un premier temps, l’auteur précise les contours de cette étonnante signature, en s’appuyant sur la pensée derridienne et sur l’enseignement lacanien. Dans un second temps, l’élaboration théorique s’efface derrière des lectures novatrices d’où se dégage une série de motifs pongiens centraux - l’ |
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appropriation du rite sabbatique, l’hostie comme siglaison de l’innommable, la poétique de l’habitat, le refus de la croyance, l’imaginaire du spectre et du bouffon -, mais généralement éludés faute d’un concept suffisamment fort pour les contenir tous. |
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2. |
Record Nr. |
UNINA9910792750103321 |
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Autore |
Barbieri Donatella |
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Titolo |
Costume in performance : materiality, culture, and the body / / Donatella Barbieri ; with a contribution from Melissa Trimingham |
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Pubbl/distr/stampa |
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London, England : , : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, , 2020 |
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London, England : , : Bloomsbury Publishing, , 2020 |
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ISBN |
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1-4742-3687-1 |
1-4742-8535-X |
1-4742-3689-8 |
1-4742-3688-X |
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Descrizione fisica |
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1 online resource (265 pages) : illustrations (some color), photographs |
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Classificazione |
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ART060000DES005000PER006000 |
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Disciplina |
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Soggetti |
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Costume - History |
Performance art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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The first costume: ritual and reinvention -- Costuming choruses: spectacle and the social landscape on stage -- The grotesque costume: the comical and conflicted 'other' body -- The flight off the pedestal -- Agency and empathy: artists touch the body / Melissa Trimingham -- A different performativity: society, culture and history on stage. |
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Sommario/riassunto |
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"This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; |
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and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK"-- |
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