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1. |
Record Nr. |
UNICAMPANIASUN0093995 |
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Titolo |
Le università e l'unità d'Italia (1848-1870) / a cura di Alessandra Ferraresi, Elisa Signori |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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XI, 368 p. : ill. ; 27 cm. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910792652103321 |
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Autore |
Bacciagaluppi Claudio |
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Titolo |
Artistic disobedience : music and confession in Switzerland, 1648-1762 / / by Claudio Bacciagaluppi |
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Pubbl/distr/stampa |
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Leiden ; ; Boston : , : Brill, , [2017] |
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©2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (279 pages) : illustrations |
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Collana |
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St Andrews studies in reformation history, , 2468-4317 |
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Disciplina |
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Soggetti |
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Church music - Switzerland - 17th century |
Church music - Switzerland - 18th century |
Church music - Catholic Church |
Church music - Protestant churches |
Reformation - Switzerland |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Preliminary Material -- Introduction -- Music in the Confessional Age -- Approaching the Other -- The Book Market -- The ‘Collegia Musica’ -- Conclusions: Music as an Agent of Toleration? -- Appendix: |
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Transcription of Archival Documents -- References -- Index. |
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Sommario/riassunto |
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In Artistic Disobedience Claudio Bacciagaluppi shows how music practice was an occasion for cross-confessional contacts in 17th- and 18th-century Switzerland, implying religious toleration. The difference between public and private performing contexts, each with a distinct repertoire, appears to be of paramount importance. Confessional barriers were overcome in an individual, private perspective. Converted musicians provide striking examples. Also, book trade was often cross-confessional. Music by Catholic (but also Lutheran) composers was diffused in Reformed territories mainly in the private music societies of Swiss German towns (collegia musica). The political and pietist influences in the Zurich and Winterthur music societies encouraged forms of communication that are among the acknowledged common roots of European Enlightenment. |
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