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1. |
Record Nr. |
UNINA9910703953203321 |
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Autore |
Pegion Philip J. |
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Titolo |
An assessment of the predictability of northern winter seasonal means with the NSIPP 1 AGCM / / Philip J. Pegion, Siegfried D. Schubert, Max J. Suarez |
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Pubbl/distr/stampa |
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Greenbelt, Maryland : , : National Aeronautics and Space Administration, Goddard Space Flight Center, , December 2000 |
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Descrizione fisica |
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1 online resource (x, 110 pages) : illustrations, maps |
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Collana |
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NASA/TM ; ; 2000-104606. Technical report series on global modeling and data assimilation ; ; volume 18 |
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Soggetti |
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Atmospheric General Circulation Models |
Ocean models |
Southern Oscillation |
Sea surface temperature |
El Nino |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed Sept. 9, 2015). |
"December 2000." |
"Performing organization: Oceans and Ice Branch, Goddard Space Flight Center"--Technical report documentaton page. |
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Nota di bibliografia |
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Includes bibliographical references (pages 17-18). |
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2. |
Record Nr. |
UNINA9910792403403321 |
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Titolo |
Loanwords in the world's languages [[electronic resource] ] : a comparative handbook / / edited by Martin Haspelmath, Uri Tadmor |
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Pubbl/distr/stampa |
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New York, NY, : Mouton de Gruyter, 2009 |
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ISBN |
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1-282-71476-7 |
9786612714764 |
3-11-021844-5 |
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Descrizione fisica |
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1 online resource (1103 p.) |
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Altri autori (Persone) |
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HaspelmathMartin <1963-> |
TadmorUri <1960-> |
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Disciplina |
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Soggetti |
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Language and languages - Foreign words and phrases |
Language and languages - Foreign elements |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Table of contents -- General chapters -- I. The Loanword Typology project and the World Loanword Database / Haspelmath, Martin / Tadmor, Uri -- II. Lexical borrowing: Concepts and issues / Haspelmath, Martin -- III. Loanwords in the world's languages: Findings and results / Tadmor, Uri -- The languages -- 1. Loanwords in Swahili / Schadeberg, Thilo C. -- 2. Loanwords in Iraqw, a Cushitic language of Tanzania / Mous, Maarten / Qorro, Martha -- 3. Loanwords in Gawwada, a Cushitic language of Ethiopia / Tosco, Mauro -- 4. Loanwords in Hausa, a Chadic language in West Africa / Awagana, Ari / Wolff, H. Ekkehard / Löhr, Doris -- 5. Loanwords in Kanuri, a Saharan language / Löhr, Doris / Wolff, H. Ekkehard / Awagana, Ari -- 6. Loanwords in Tarifiyt, a Berber language of Morocco / Kossmann, Maarten -- 7. Loanwords in Seychelles Creole / Michaelis, Susanne / Rosalie, Marcel -- 8. Loanwords in Romanian / Schulte, Kim -- 9. Loanwords in Selice Romani, an Indo-Aryan language of Slovakia / Elšík, Viktor -- 10. Loanwords in Lower Sorbian, a Slavic language of Germany / Bartels, Hauke -- 11. Loanwords in Old High German / Schuhmann, Roland -- 12. Loanwords in Dutch / van der Sijs, Nicoline -- 13. Loanwords in British English / Grant, Anthony P. -- 14. |
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Loanwords in Kildin Saami, a Uralic language of northern Europe / Rießler, Michael -- 15. Loanwords in Bezhta, a Nakh-Daghestanian language of the North Caucasus / Comrie, Bernard / Khalilov, Madzhid -- 16. Loanwords in Archi, a Nakh-Daghestanian language of the North Caucasus / Chumakina, Marina -- 17. Loanwords in Manange, a Tibeto-Burman Language of Nepal / Hildebrandt, Kristine A. -- 18. Loanwords in Ket / Vajda, Edward J. -- 19. Loanwords in Sakha (Yakut), a Turkic language of Siberia / Pakendorf, Brigitte / Novgorodov, Innokentij N. -- 20. Loanwords in Oroqen, a Tungusic language of China / Li, Fengxiang / Whaley, Lindsay J. -- 21. Loanwords in Japanese / Schmidt, Christopher K. -- 22. Loanwords in Mandarin Chinese / Wiebusch, Thekla / Tadmor, Uri -- 23. Loanwords in Thai / Suthiwan, Titima / Tadmor, Uri -- 24. Loanwords in Vietnamese / Alves, Mark J. -- 25. Loanwords in White Hmong / Ratliff, Martha -- 26. Loanwords in Ceq Wong, an Austroasiatic language of Peninsular Malaysia / Kruspe, Nicole -- 27. Loanwords in Indonesian / Tadmor, Uri -- 28. Loanwords in Malagasy / Adelaar, Alexander -- 29. Loanwords in Takia, an Oceanic language of Papua New Guinea / Ross, Malcolm -- 30. Loanwords in Hawaiian / Parker Jones, 'Ōiwi -- 31. Loanwords in Gurindji, a Pama-Nyungan language of Australia / McConvell, Patrick -- 32. Loanwords in Yaqui, a Uto-Aztecan language of Mexico / Estrada Fernández, Zarina -- 33. Loanwords in Zinacantán Tzotzil, a Mayan language of Mexico / Brown, Cecil H. -- 34. Loanwords in Q'eqchi', a Mayan language of Guatemala / Wichmann, Søren / Hull, Kerry -- 35. Loanwords in Otomi, an Otomanguean language of Mexico / Hekking, Ewald / Bakker, Dik -- 36. Loanwords in Saramaccan, an English-based creole of Suriname / Good, Jeff -- 37. Loanwords in Imbabura Quechua / Gómez Rendón, Jorge / Adelaar, Willem -- 38. Loanwords in Kali'na, a Cariban language of French Guiana / Renault-Lescure, Odile -- 39. Loanwords in Hup, a Nadahup language of Amazonia / Epps, Patience -- 40. Loanwords in Wichí, a Mataco-Mataguayan language of Argentina / Vidal, Alejandra / Nercesian, Verónica -- 41. Loanwords in Mapudungun, a language of Chile and Argentina / Golluscio, Lucía A. -- Backmatter |
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Sommario/riassunto |
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This book is the first work to address the question of what kinds of words get borrowed in a systematic and comparative perspective. It studies lexical borrowing behavior on the basis of a world-wide sample of 40 languages, both major languages and minor languages, and both languages with heavy borrowing and languages with little lexical influence from other languages. The book is the result of a five-year project bringing together a unique group of specialists of many different languages and areas. The introductory chapters provide a general up-to-date introduction to language contact at the word level, as well as a presentation of the project's methodology. All the chapters are based on samples of 1000-2000 words, elicited by a uniform meaning list of 1460 meanings. The combined database, comprising over 70,000 words, is published online at the same time as the book is published. For each word, information about loanword status is given in the database, and the 40 case studies in the book describe the social and historical contact situations in detail. The final chapter draws general conclusions about what kinds of words tend to get borrowed, what kinds of word meanings are particularly resistant to borrowing, and what kinds of social contact situations lead to what kinds of borrowing situations. |
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3. |
Record Nr. |
UNINA9910255086903321 |
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Autore |
Finocchiaro Francesco |
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Titolo |
Musical Modernism and German Cinema from 1913 to 1933 / / by Francesco Finocchiaro |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
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ISBN |
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Edizione |
[1st ed. 2017.] |
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Descrizione fisica |
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1 online resource (XIX, 259 p. 7 illus.) |
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Disciplina |
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Soggetti |
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Motion pictures |
Television broadcasting |
Music |
Ethnology - Europe |
Culture |
Civilization - History |
Film and Television Studies |
European Culture |
Cultural History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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1. Introduction: The cinematic paradigm -- 2. Prologue. Cinema and the arts -- 3. Cinema and expressionist drama -- 4. Paul Hindemtih and the cinematic universe -- 5. Edmund Meisel: the cinematic composer.- 6. Der Rosenkavalier: a problematic remediation -- 7. Cinema and musical theatre: Kurt Weill and the Filmmusik in Royal Palace.- 8. Alban Berg, Lulu and cinema as artifice.- 9. New Objectivity and abstract cinema.- 10. Between film music and chamber music -- 11. Epilogue. The dawn of sound cinema. . |
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Sommario/riassunto |
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This book investigates the relationship between musical Modernism and German cinema. It paves the way for anunorthodox path of research, one which has been little explored up until now. The main figures of musical Modernism, from Alban Berg to Paul Hindemith, and from Richard Strauss to Kurt Weill, actually had a significant |
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relationship with cinema. True, it was a complex and contradictory relationship in which cinema often emerged more as an aesthetic point of reference than an objective reality; nonetheless, the reception of the language and aesthetic of cinema had significant influence on the domain of music. Between 1913 and 1933, Modernist composers' exploration of cinema reached such a degree of pervasiveness and consistency as to become a true aesthetic paradigm, a paradigm that sat at the very heart of the Modernist project. In this insightful volume, Finocchiaro shows that the creative confrontation with the avant-garde medium par excellence can be regarded as a vector of musical Modernism: a new aesthetic paradigm for the very process - of deliberate misinterpretation, creative revisionism, and sometimes even intentional subversion of the Classic-Romantic tradition - which realized the "dream of Otherness" of the Modernist generation. |
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