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Record Nr. |
UNINA9910792233903321 |
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Autore |
Macovski Michael Steven |
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Titolo |
Dialogue and literature [[electronic resource] ] : apostrophe, auditors, and the collapse of romantic discourse / / Michael Macovski |
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Pubbl/distr/stampa |
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New York, : Oxford University Press, 1994 |
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ISBN |
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1-4294-0543-0 |
1-280-52578-9 |
0-19-534500-2 |
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Descrizione fisica |
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1 online resource (244 p.) |
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Disciplina |
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Soggetti |
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English literature - 19th century - History and criticism - Theory, etc |
English literature - 20th century - History and criticism - Theory, etc |
Discourse analysis, Literary |
Romanticism - Great Britain |
Reader-response criticism |
Dialogue |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 211-220) and index. |
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Nota di contenuto |
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Contents; Abbreviations; I: Romantic Formalism and the Specular Lyric; 1. Knowledge, Rhetoric, and Authority: Toward a Theory of Romantic Dialogue; 2. ""The Language of My Former Heart"": Wordsworth, Bakhtin, and the Diachronic Dialogue; 3. Coleridge, the ""Rime,"" and the Instantiation of Outness; II: The Novel All Told: Audition, Orality, and the Collapse of Dialogue; 4. Three Blind Mariners and a Monster: Frankenstein as Vocative Text; 5. Wuthering Heights and the Rhetoric of Interpretation; 6. The Heartbeat of Darkness: Listening in(to) the Twentieth Century |
7. Conclusion: Dialogue, Culture, and the Heuristic ""Third""Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W |
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Sommario/riassunto |
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Extending and reframing the works of Bakhtin, Gadamer, Ong, and Foucault--with particular emphasis on Bakhtin's late essays --Macovski constructs a theoretical model of literary dialogue and applies it to a range of Romantic texts. In reconsidering specific works within the |
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context of culturalheuristics, rhetorical theory, and literary history, Macovski redefines Romantic discourse as both extratextual and agonistic. He thereby re-evaluates such Romantic topics as the history of the autotelic self, the proliferation of lyric orality, and the nineteenth-century critique of rhetoric. Heexamines |
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