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1. |
Record Nr. |
UNINA9910451335003321 |
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Titolo |
What is money? / / edited by John Smithin |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 2000 |
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ISBN |
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1-134-62367-4 |
1-280-32880-0 |
0-203-07269-3 |
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Descrizione fisica |
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1 online resource (287 p.) |
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Collana |
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Routledge international studies in money and banking ; ; 6 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Money |
Finance |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographies and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; List of figures; List of tables; List of contributors; Acknowledgements; What is money? Introduction JOHN SMITHIN; 'Babylonian madness': on the historical and sociological origins of money GEOFFREY INGHAM; Modern money L.RANDALL WRAY; The property theory of interest and money GUNNAR HEINSOHN AND OTTO STEIGER; The credit theory of money: the monetary circuit approach ALAIN PARGUEZ AND MARIO SECCARECCIA; Money and effective demand VICTORIA CHICK; The invisible hand and the evolution of the monetary system KEVIN DOWD; Aristotle on money SCOTT MEIKLE |
A Marxist theory of commodity money revisited STEVE FLEETWOODA Marxist account of the relationship between commodity money and symbolic money in the context of contemporary capitalist development PETER KENNEDY; Menger's theory of money: some experimental evidence PETER G.KLEIN AND GEORGE SELGIN; Dr Freud and Mr Keynes on money and capitalism GILLES DOSTALER AND BERNARD MARIS; The disappearance of Keynes's nascent theory of banking between the Treatise and the General Theory COLIN ROGERS AND T.K.RYMES; Index |
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Sommario/riassunto |
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This volume provocatively rethinks the economics, politics and sociology of money and examines the classic question of what is |
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money. Starting from the two dominant views of money, as neutral instrument and as social relation, What is Money? presents a thematic, interdisciplinary approach which points to a definitive statement on money. Bringing together a variety of neclassical and heterodox perspectives, this work collects the latest thinking of some of the best-known economics scholars on the question of money. The contributors are Victoria Chick, Kevin Dowd, Gilles Dostaler, |
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2. |
Record Nr. |
UNINA9910792229303321 |
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Autore |
Osborne Richard <1943-> |
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Titolo |
Rossini [[electronic resource] ] : his life and works / / Richard Osborne |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2007 |
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ISBN |
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0-19-988457-9 |
1-4356-1719-3 |
9786611162474 |
1-281-16247-7 |
0-19-972440-7 |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (429 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; List of Illustrations; Key to Sigla; 1 The Formative Years (1792-1810); 2 Venice and Milan (1811-1814); 3 Arrival in Naples (1815); 4 Rome and II barbiere di Siviglia (1816); 5 Naples, Rome, and Milan (1816-1817); 6 Mosè in Egitto and Return to Pesaro (1818); 7 1819-1821; 8 Vienna, Verona, Venice (1822-1823); 9 Paris and London (1823-1824); 10 Paris (1824-1829); 11 Retirement from Operatic Composition; 12 Bologna, Paris, Madrid (1829-1834): Stabat mater, Olympe Pélissier, and Balzac; 13 Paris, the Rhineland, and Return to Italy (1835-1846) |
14 Times of Barricades and Assassinations: Bologna, Florence, and |
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Departure from Italy (1847-1855)15 Return to Paris (1855); 16 Saturday Soirées and a New Mass; 17 Last Years (1865-1868); 18 Entr'acte: Some Problems of Approach to the Works; 19 The Early Operas (I): Farse for Venice's Teatro San Moisè; 20 Overtures; 21 The Early Operas (II): Demetrio e Polibio, L'equivoco stravagante, Ciro in Babilonia, La pietra del paragone; 22 Tancredi: Heroic Comedy and the Forming of a Method; 23 L'italiana in Algeri: Formal Mastery in the Comic Style |
24 Milan and Venice (1813-1814): Aureliano in Palmira, II turco in Italia, Sigismondo 25 Arrival in Naples (1815-1816): Elisabetta, regina d'Inghilterra, La gazzetta; 26 Il barbiere di Siviglia and the Transformation of a Tradition; 27 Otello and the Confrontation of Tragedy; 28 La Cenerentola: An Essay in Comic Pathos; 29 La gazza ladra and the Semiseria Style; 30 Armida and the New Romanticism; 31 Mosè in Egitto (1818-1819) and Moïse et Pharaon (1827); 32 A Lost Masterpiece and a Forgotten Favourite: Ermione and Ricciardo e Zoraide; 33 Rossini and Scott: La donna del lago |
34 Maometto II (1820) and Le Siège de Corinthe (1826)35 Back from the Shadows: Matilde di Shabran and Zelmira; 36 Farewell to Italy: Semiramide; 37 Il viaggio a Reims (1825) and Le Comte Ory (1828); 38 Guillaume Tell; 39 Sacred Music: Messa di Gloria, Stabat mater, Petite messe solennelle; 40 Vocal and Piano Music: Early Songs, Giovanna d'Arco, Les soirées musicales, Péchés de vieillesse; Appendixes; A: Calendar; B: List of Works; C: Personalia; D: Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W; Z |
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Sommario/riassunto |
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List of Illustrations Key to Sigla Preface to First Edition Preface to Second Edition 1. The formative years (1792-1810) 2. Venice and Milan (1811-14) 3. Arrival in Naples (1815) 4. Rome and Il barbiere di Siviglia (1816) 5. Naples, Rome and Milan (1816-17) 6 Mose in Egitto and Return to Pesaro (1818). 7. 1819-21 8. Vienna, Verona, Venice (1822-3) 9. Paris and London (1823-4) 10 Paris (1824-9) 11. Retirement from operatic composition 12. Bologna, Paris, Madrid (1829-34), Stabat mater, Olympe Pd'elissier, and Balzac 13. Paris, the Rhineland, and return to Italy (1835-46) 1 |
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