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Record Nr. |
UNINA9910792227103321 |
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Autore |
Booth Gregory D |
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Titolo |
Behind the curtain [[electronic resource] ] : making music in Mumbai's film studios / / Gregory D. Booth |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2008 |
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ISBN |
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0-19-029624-0 |
0-19-532764-0 |
1-281-76966-5 |
9786611769666 |
0-19-971665-X |
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Descrizione fisica |
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1 online resource (332 p.) |
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Disciplina |
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Soggetti |
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Motion picture music - Production and direction - India - Bombay - History |
Motion picture music - India - Bombay - History and criticism |
Motion picture industry - India - Bombay - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 295-303) and index. |
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Nota di contenuto |
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Contents; Introduction: Who Is Anthony Gonsalves?; Part I: History, Technology, and a Determinist Milieu for Hindi Film Song; 1 Popular Music as Film Music; 2 Musicians and Technology in the Mumbai Film-Music Industry; 3 Changing Structures in the Mumbai Film Industry; Part II: The Life of Music in the Mumbai Film Industry; 4 Origins, Training, and ""Joining the Line""; 5 Roles, Relations, and the Creative Process; 6 Rehearsals, Recordings, and Economics; Part III: Music, Instruments, and Meaning from Musicians' Perspectives |
7 Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming8 Issues of Style, Genre, and Value in Mumbai Film Music; Conclusion: Oral History, Change, and Accounts of Human Agency; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y |
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Sommario/riassunto |
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Introduction - Who is Anthony Gonsalves? Part One - History, Technology, and a Determinist Milieu for Hindi Film Song 1. Popular Music as Film Music 3. Changing Structures in the Mumbai Film |
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Industry Part Two - The Life of Music in the Mumbai Film Industry 4. Origins, Training, and ""Joining the Line"" 5. Roles, Relations, and the Creative Process 6. Rehearsals, Recordings, and Economics Part Three - Music, Instruments, and Meaning from Musicians' Perspectives 7. Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming 8. Issues of Style, Genre, and V |
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