1.

Record Nr.

UNINA9910792144803321

Autore

Laderman Shulamith

Titolo

Images of cosmology in Jewish and Byzantine art [[electronic resource] ] : God's blueprint of creation / / by Shulamit Laderman

Pubbl/distr/stampa

Boston, : Brill, 2013

ISBN

90-04-25219-3

Descrizione fisica

1 online resource (394 p.)

Collana

Jewish and Christian perspectives series ; ; volume 25

Disciplina

704.9/482

Soggetti

Cosmology in art

Jewish art and symbolism - Themes, motives

Art, Byzantine - Themes, motives

Judaism - Relations - Christianity

Christianity and other religions - Judaism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Preliminary Material -- Introduction -- 1. Jewish and Christian Reciprocal Influences -- 2. The Blueprint of Creation in the Bible and Its Allegorical Interpretations -- 3. Creation in Christian Works -- 4. Creation as Interpreted in Jewish Art -- 5. Visualizing Creation in a Fourteenth-Century Jewish Manuscript -- 6. The Tabernacle and the Ark of the Covenant -- 7. The Temple: History and Ideology -- 8. The Synagogue as a Minor Temple -- 9. Schematic Models: Forms of Visual Interpretation -- 10. Perspective Imaging of the Tabernacle -- 11. The Art of Memory: The Sanctuary, Its Sacrifices, and Its Cosmic Import -- 12. Christian Supersession of Jewish Ideas -- Epilogue -- Addendum -- Glossary -- Bibliography -- Index -- Illustrations.

Sommario/riassunto

Does the design of the Tabernacle in the wilderness correspond to God’s blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the “pattern” revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements “after their pattern, which is being shown thee on the Mount.” (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that



connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.