1.

Record Nr.

UNINA9910791936403321

Autore

Noë Alva

Titolo

Varieties of presence [[electronic resource] /] / Alva Noë

Pubbl/distr/stampa

Cambridge, Mass., : Harvard University Press, 2012

ISBN

0-674-06301-5

0-674-06851-3

Descrizione fisica

1 online resource (189 p.)

Disciplina

128/.4

Soggetti

Experience

Philosophy, Modern

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- Preface -- Introduction: Free Presence -- 1. Conscious Reference -- 2. Fragile Styles -- 3. Real Presence -- 4. Experience of the World in Time -- 5. Presence in Pictures -- 6. On Over-Intellectualizing the Intellect -- 7. Ideology and the Third Realm -- Afterword -- Appendix: A List -- Bibliography -- Acknowledgments -- Index

Sommario/riassunto

The world shows up for us-it is present in our thought and perception. But, as Alva Noë contends in his latest exploration of the problem of consciousness, it doesn't show up for free. The world is not simply available; it is achieved rather than given. As with a painting in a gallery, the world has no meaning-no presence to be experienced-apart from our able engagement with it. We must show up, too, and bring along what knowledge and skills we've cultivated. This means that education, skills acquisition, and technology can expand the world's availability to us and transform our consciousness. Although deeply philosophical, Varieties of Presence is nurtured by collaboration with scientists and artists. Cognitive science, dance, and performance art as well as Kant and Wittgenstein inform this literary and personal work of scholarship intended no less for artists and art theorists, psychologists, cognitive scientists, and anthropologists than for philosophers. Noë rejects the traditional representational theory of mind and its companion internalism, dismissing outright the notion



that conceptual knowledge is radically distinct from other forms of practical ability or know-how. For him, perceptual presence and thought presence are species of the same genus. Both are varieties of exploration through which we achieve contact with the world. Forceful reflections on the nature of understanding, as well as substantial examination of the perceptual experience of pictures and what they depict or model are included in this far-ranging discussion.