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1. |
Record Nr. |
UNINA9910457514803321 |
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Autore |
Proferes Nicholas T. |
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Titolo |
Film directing fundamentals : see your film before shooting / / Nicholas T. Proferes |
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Pubbl/distr/stampa |
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Amsterdam ; ; Boston : , : Focal Press, , 2005 |
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ISBN |
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1-136-06950-X |
1-281-00866-4 |
9786611008666 |
1-4237-0824-5 |
0-08-047772-0 |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (286 p.) |
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Disciplina |
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Soggetti |
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Motion pictures - Production and direction |
Motion picture industry |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [271]) and index. |
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Nota di contenuto |
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Front Cover; Film Directing Fundamentals; Copyright Page; Contents; Foreword; Acknowledgments; Part One: Learning How to Draw; Chapter 1.Introduction to Film Language and Grammar; The Film World; Film Language; Shots; Film Grammar; The 180-Degree Rule; The 30-Degree Rule; Screen Direction; Film Time; Compression; Elaboration; Familiar Images; Chapter 2.Introduction to the Dramatic Elements Embedded in the Screenplay; Spines; Whose Film Is It?; Character; Circumstance; Dynamic Relationships; Wants; Expectations; Actions; Activity; Acting Beats; Chapter 3.Organizing Action in a Dramatic Scene |
Dramatic BlocksNarrative Beats; The Fulcrum; Dramatic Elements in Notorious Patio Scene; Notorious Patio Scene Annotated; Chapter 4.Staging; Main Functions; Patterns of Dramatic Movement; Changing the Stage Within a Scene; Staging as Part of a Film's Design; Working with a Location Floor Plan; Floor Plan and Staging for Notorious Patio Scene; Chapter 5.The Camera; The Camera as Narrator; The Reveal; Entrances; The Objective Camera; The Subjective Camera; Where Do I Put It?; Visual Design; Style; Coverage; Camera Height; Lenses; Composition; |
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Where to Begin? |
Working Toward Specificity in VisualizationLooking for Order; Dramatic Blocks and the Camera; Shot Lists and Storyboards; The Prose Storyboard; Chapter 6.Camera in Notorious Patio Scene; First Dramatic Block; Second Dramatic Block; Third Dramatic Block; Fourth Dramatic Block and Fulcrum; Fifth Dramatic Block; Part Two: Making Your Film; Chapter 7. Detective Work on Scripts; Reading Your Screenplay; A Piece of Apple Pie Screenplay; Whose Film Is It?; Character; Circumstance; Spines for a Piece of Apple Pie; Dynamic Relationships; Wants; Actions; Acting Beats; Activity |
Tone for a Piece of Apple PieBreaking a Piece of Apple Pie into Actions; Designing a Scene; Visualization; Identifying the Fulcrum and Dramatic Blocks; Supplying Narrative Beats to a Piece of Apple Pie; Director's Notebook; Chapter 8. Staging and Camera for a Piece of Apple Pie; Staging; Camera; Conclusions; Chapter 9. Marking Shooting Scripts with Camera Setups; Chapter 10. Working with Actors; Casting; First Read-through; Directing During Rehearsals; Directing Actors on the Set; Chapter 11. Managerial Responsibilities of the Director; Delegating Authority While Accepting Responsibility |
The ProducerThe Assistant Director; A Realistic Shooting Schedule; Working with the Crew; Working with the Director of Photography; Chapter 12. Postproduction; Editing; Music and Sound; Locking Picture, or How Do You Know When It's Over?; An Audience and a Big Screen; Part Three: Learning the Craft Through Film Analysis; Chapter 13. Alfred Hitchcock's; Overview of Style and Design; First Act; Second Act; Third Act; Summary; Chapter 14. Peter Weir's the Truman Show; Overview of Style and Design; First Act; Second Act; Third Act; Summary; Chapter 15. Federico Fellini's 8-1/2; A Masterpiece? |
The Director as Auteur |
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Sommario/riassunto |
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Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology. |
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2. |
Record Nr. |
UNINA9910791148603321 |
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Autore |
Kluft Richard P. |
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Titolo |
Good shrink/bad shrink / / Richard P. Kluft |
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Pubbl/distr/stampa |
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London, England : , : Karnac, , 2014 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (444 p.) |
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Disciplina |
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Soggetti |
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Psychiatry - Philosophy |
Psychiatry - Study and teaching |
Psychiatry |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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