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1. |
Record Nr. |
UNINA9910455494603321 |
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Autore |
Hinkelman Edward G. <1947-> |
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Titolo |
A short course in international payments [[electronic resource] ] : how to use letters of credit, D/P and D/A terms, prepayment, credit, and cyberpayments in international transactions / / Edward G. Hinkelman |
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Pubbl/distr/stampa |
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Petaluma, CA, : World Trade Press, 2009 |
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ISBN |
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1-282-18458-X |
9786612184581 |
1-60780-082-9 |
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Edizione |
[3rd ed.] |
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Descrizione fisica |
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1 online resource (190 p.) |
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Collana |
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The Short course in international trade series |
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Disciplina |
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Soggetti |
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Documentary credit |
Electronic commerce |
Electronic funds transfers |
Foreign exchange |
International business enterprises - Finance |
International trade |
Negotiable instruments |
Payment |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 182). |
Includes web resources. |
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Nota di contenuto |
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International Payments; Introduction; Table of Contents; Chapter 1: Key Issues in International Payments; Chapter 2: Introducing the Buyer and the Seller; Chapter 3: Introducing Basic Terms of Payment; Chapter 4: Foreign Exchange Basics; Chapter 5: Contract Basics; Chapter 6: Incoterms 2000; Chapter 7: Notes on Granting and Obtaining Credit; Chapter 8: Drafts and Acceptances; Chapter 9: Documentary Collections; Chapter 10: Documentary Credits, Part 1; Chapter 11: Documentary Credits, Part 2; Chapter 12: Documentary Credits, Part 3; Chapter 13: Documentary Credits, Part 4 |
Chapter 14: Documentary Credits, Part 5Chapter 15: Sample Bank Fees; |
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Chapter 16: Documents; Chapter 17: Document Checklists; Chapter 18: CyberPayments; Chapter 19: Glossary; Chapter 20: Resources |
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Sommario/riassunto |
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A Short Course in International Payments describes how to use letters of credit and documentary collections, how to grant and obtain credit, and how to use cyberpayments in international trade. The book also has an excellent section on trade documentation |
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2. |
Record Nr. |
UNINA9910791123003321 |
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Autore |
Burrows Jonathan |
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Titolo |
A choreographer's handbook / / Jonathan Burrows |
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Pubbl/distr/stampa |
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Milton Park, Abingdon, Oxon ; ; New York : , : Routledge is an imprint of the Taylor & Francis Group, , 2010 |
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©2010 |
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ISBN |
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9781136974571 |
1-136-97457-1 |
9781136974588 |
1-136-97458-X |
9781282629684 |
1-282-62968-9 |
9780203852163 |
0203852168 |
0415555302 |
9780415555296 |
0415555299 |
9780415555302 |
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Descrizione fisica |
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1 online resource (xii, 224 pages) |
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Disciplina |
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Soggetti |
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Choreography - Study and teaching |
Dance - Study and teaching |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (pages 210-212) and index. |
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Nota di contenuto |
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Dancing / Principles -- Material -- Habits -- Repetition -- Repetition |
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-- Repetition -- Improvisation / Cut and paste / Choreography -- Form -- Exploration / Risk -- Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources / Self expression -- Contract / Performance space / Language / Choreography -- Breaking the rules -- Research / How and what? / Dramaturgy / Theory / Curiosity -- Interview / Unfinished business / Questions / Principles -- Financial limitations / Studios / Funding applications -- Preparation / Rehearsal schedule / Heaviness -- Collaboration / Audience -- Originality / Paradox -- Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling -- Virtuosity -- Hoarding / Beginnings -- Endings -- Keeping it going / Pacing -- Dub reggae / Rate of change / Simple material / Desperation -- Stillness and silence / Fear of being boring; Minimal and maximal -- Does it work? / Showings / Mentoring -- Other bodies / States -- Distracting the self / Paradox / Choreography / Performance / Electric guitars -- Predictable and unpredictable / Expectation -- Narrative / Ballet / Continuity -- Continuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation -- Relation / Solos, duos, trios, quartets / Ideas; Relation / Time / Rhythm -- Time -- Abstract dance -- Counterpoint / Formal elements / Difference -- Scores / Studios / Improvisation -- Chance / Empty hands / Gamut of movements / Limitations / Laborious work / Philosophy -- Place or space? -- Audience / Facing the front / Confrontation / Humour / Failure -- Audience -- Performance / Principles -- The marketplace / Earning a living / Administrating the work / Commissions -- Music / Collaboration / Silence -- Text -- Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity -- Titles -- Filming / History / Collaboration / Mirrors / Human-scale -- Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what? -- How can I simplify all of this? -- Forget all this. |
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Sommario/riassunto |
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"On choreography: "Choreography is a negotiation with the patterns your body is thinking". On rules: "Try breaking the rules on a need to break the rules basis". A Choreographer’s Handbook invites the reader to investigate how and why to make a dance performance. In an inspiring and unusually empowering sequence of stories, ideas and paradoxes, internationally renowned dancer, choreographer and teacher Jonathan Burrows explains how it’s possible to navigate a course through this complex process.It is a stunning reflection on a personal practice and professional journey, and draws upon five years’ of workshop discussions, led by Burrows.Burrows’ open and honest prose gives the reader access to a range of exercises, meditations, principles and ideas on choreography that allow artists and dance-makers to find their own aesthetic process.It is a book for anyone interested in making performance, at whatever level and in whichever style."--Provided by publisher. |
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