1.

Record Nr.

UNINA9910131548603321

Autore

Guy Jean-Michel

Titolo

Incrocio di culture : Riferimenti interculturali di tedeschi, italiani e francesi / / Jean-Michel Guy

Pubbl/distr/stampa

Paris, : Département des études, de la prospective et des statistiques, 2014

ISBN

2-11-139866-7

Descrizione fisica

1 online resource (32 p.)

Altri autori (Persone)

ChantepiePhilippe

Soggetti

Sociology

Cultural studies

connaissances culturelles

analyse comparative

pratiques culturelles

Europe

Allemagne

Italie

France

interculturalité

stéréotypes

Germania

analisi

conoscenza

Europa

Francia

Italia

stereotipo

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

L’étude Cultures croisées analyse les références culturelles communes et réciproques − une approche de l’interculturalité − des Allemands,



des Italiens et des Français en matière de patrimoine architectural, historique, littéraire, cinématographique, théâtral et lyrique et sur des références ou des figures de la culture populaire. Conduite auprès de 4 500 personnes dans les trois populations, cette enquête, inédite dans son domaine et par son ampleur, cherche à sonder le fondement commun des cultures en Europe, d’une culture européenne ou de l’identité culturelle européenne par la culture. Les résultats confirment la corrélation des connaissances et du niveau d’éducation, mettent en évidence la prégnance des stéréotypes sur les peuples et l’absence d’une véritable culture commune. L’existence de quelques références transnationales massivement partagées montre néan- moins que l’interculturalité, qui suppose la connaissance des autres peuples, n'est pas hors de portée. L’étude invite à repenser objectifs, méthodes et outils de l’interculturalité européenne.  The Crossing Cultures study takes an intercultural approach to the analysis of common and mutual cultural references shared by the German, Italian and French people in areas such as architectural, historical, literary, cinematographic, theatrical and musical heritage, as well as popular cultural references or figures. Polling 4,500 people across the three countries, this survey is original in scope and content: it seeks to survey the common foundation of cultures within Europe, the foundation of a European culture or of the European identity through culture. The results confirm a correlation between knowledge and educational level, and also highlight the per- sistence of national stereotypes and the lack of any genuine common culture. Nevertheless, the existence of several very widely-shared transnational references demonstrates that interculturality, which presupposes a know- ledge of other peoples, is not…



2.

Record Nr.

UNINA9910791036803321

Autore

Tongue Samuel

Titolo

Between biblical criticism and poetic rewriting : interpretative struggles over Genesis 32:22-32 / / by Samuel Tongue

Pubbl/distr/stampa

Leiden, The Netherlands : , : Brill, , 2014

©2014

ISBN

90-04-27115-5

Descrizione fisica

1 online resource (304 p.)

Collana

Biblical Interpretation Series, , 0928-0731 ; ; Volume 129

Disciplina

222/.1106

Soggetti

Poetry - History and criticism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and indexes.

Nota di contenuto

Preliminary Material -- Introduction: Bound to Retell -- 1 Dancing Between the Disciplines: Following the Mobile Bible -- 2 Biblical Studies and Postmodern Poetics; or, ‘Gentlemanly’ Readers Meet ‘Uncouth Hydra Readers’ -- 3 Poetic Paragesis and Disciplining the Imagination -- 4 Enacting Canonicity: Parageses in the Anatomy of Angels -- 5 Scripted Bodies: Paragesis and the Performative Poetics of Manhood -- Conclusion: The Dust Settles: Some Final Thoughts on Poetic Parageses of Jacob and the Angel -- Bibliography -- Index of Authors -- Index of Scripture -- Index of Ancient Sources.

Sommario/riassunto

In Between Biblical Criticism and Poetic Rewriting , Samuel Tongue offers an account of the aesthetic and critical tensions inherent in the development of the Higher Criticism of the Bible. Different ‘types’ of Bible are created through the intellectual and literary pressures of Enlightenment and Romanticism and, as Tongue suggests, it is this legacy that continues to orientate the approaches deemed legitimate in biblical scholarship. Using a number of ancient and contemporary critical and poetic rewritings of Jacob’s struggle with the ‘angel’ (Gen 32:22-32), Tongue makes use of postmodern theories of textual production to argue that it is the ‘paragesis’, a parasitical form of writing between disciplines, that best foregrounds the complex performativity of biblical interpretation.