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1. |
Record Nr. |
UNINA9910790928903321 |
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Titolo |
Ethics and poetics : ethical recognitions and social reconfigurations in modern narratives / / edited by Margrét Gunnarsdóttir Champion and Irina Rasmussen Goloubeva |
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Pubbl/distr/stampa |
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Newcastle upon Tyne : , : Cambridge Scholars Publishing, , 2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (324 p.) |
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Disciplina |
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Soggetti |
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Ethics in literature |
Poetics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II; CHAPTER FOUR; CHAPTER FIVE; PART III; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; PART IV; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; NOTES ON THE CONTRIBUTORS; INDEX |
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Sommario/riassunto |
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Bringing together international scholars interested in the ethics of fiction, this book extends the rich field of ethical literary criticism that has emerged in the last twenty years. New ground is broached in that the authors explore literariness itself as constitutive of ethical intimations about the pluralistic community and about egalitarian modes of communication. The epistemological point of departure is the ethical thought of modernity as filtered through Hegelian recognition as infini... |
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2. |
Record Nr. |
UNINA9910330348603321 |
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Autore |
Game Jérôme |
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Titolo |
Images des corps / corps des images au cinéma / Jérôme Game |
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Pubbl/distr/stampa |
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ENS Éditions, 2010 |
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[s.l.] : , : ENS Éditions, , 2010 |
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ISBN |
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Descrizione fisica |
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Altri autori (Persone) |
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GameJérôme |
AmielVincent |
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Soggetti |
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Electronic, holographic & video art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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"""Ces dernières années ont vu se développer un important effort théorique et critique sur la question du corps au cinéma : comment ce dernier représente-t-il les formes du corps mais aussi ses puissances (gestes, désirs, pulsions, tendances hors cadre, hors champs, hors discours ou hors normes)? Comment rend-t-il compte des contextes cognitifs, culturels, politiques et technologiques associés à la fabrique des corps à travers l'histoire? Les films eux-mêmes ont eu recours au corps comme figure ou motif privilégié et ont pleinement participé de ce questionnement. Participant à cette réflexion en cours le présent volume s'attache à étudier la question de la représentation corporelle en la rapportant à celle des devenirs concrets du cinéma, que ce soit dans ses dispositifs propres ou ses rencontres avec d'autres régimes d'image (notamment la vidéo et la photographie)." |
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