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Record Nr. |
UNINA9910790884603321 |
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Autore |
McPherson Laura E (Laura Elizabeth) |
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Titolo |
A grammar of Tommo So / / by Laura McPherson |
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Pubbl/distr/stampa |
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Berlin ; ; Boston : , : De Gruyter Mouton, , [2013] |
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©2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (648 p.) |
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Collana |
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Mouton grammar library (MGL) ; ; 62 |
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Disciplina |
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Soggetti |
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Dogon language - Grammar |
Dogon language - Phonology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Acknowledgments -- Table of contents -- Abbreviations -- 1. Introduction -- 2. Grammatical sketch -- 3. Segmental phonology -- 4. Tone -- 5. Nominal, pronominal, and adjectival morphology -- 6. Nominal and adjectival compounds -- 7. Noun phrase structure -- 8. Ideophones and onomatopoeia -- 9. Coordination -- 10. Postpositions and adverbials -- 11. Verbal derivation -- 12. Verbal inflection -- 13. VP and predicate structure -- 14. Comparatives -- 15. Focalization and interrogation -- 16. Relativization and clause nominalization -- 17. Conditional constructions -- 18. Clause chaining and subordination -- 19. Quotative constructions -- 20. Anaphora -- 21. Grammatical pragmatics -- 22. Dialects -- 23. Texts -- References -- Index |
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Sommario/riassunto |
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Tommo So is a Dogon language with approximately 60,000 speakers in Mali, West Africa. As only the second full grammatical description of a Dogon language, this volume is a critical resource for solving the mystery of Dogon's genetic affiliation with other languages in Africa. Tommo So is an SOV language with isolating nominal morphology and agglutinative verbal morphology; suffixes on the verb mark tense/aspect/negation as well as subject agreement. The phonology is sensitive to levels of verbal morphology in that variable vowel harmony applies less frequently as one moves to outer layers of the morphology. The tone system of Tommo So is of typological interest in both its |
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