1.

Record Nr.

UNINA9910790520003321

Titolo

Locating the moving image : new approaches to film and place / / edited by Julia Hallam and Les Roberts

Pubbl/distr/stampa

Bloomington : , : Indiana University Press, , [2014]

©2014

ISBN

0-253-01105-1

0-253-01112-4

Descrizione fisica

1 online resource (277 p.)

Collana

The spatial humanities

Altri autori (Persone)

HallamJulia <1952->

RobertsLes <1966->

Disciplina

791.43/62

Soggetti

Motion picture industry

Film criticism - Philosophy

Motion pictures - Production and direction

Motion pictures - Social aspects

Arts and geography

Motion picture audiences

Spatial analysis (Statistics)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Title Page; Copyright Page; Table of Contents; · Acknowledgments; 1. Film and Spatiality: Outline of a New Empiricism; 2. Getting to "Going to the Show"; 3. Space, Place, and the Female Film Exhibitor: The Transformation of Cinema in Small-Town New Hampshire during the 1910's; 4. Mapping Film Exhibition in Flanders (1920-1990): A Diachronic Analysis of Cinema Culture Combined with Demographic and Geographic Data; 5. Mapping the Ill-Disciplined? Spatial Analyses and Historical Change in the Postwar Film Industry

6. Mapping Film Audiences in Multicultural Canada: Examples from the Cybercartographic Atlas of Canadian Cinema 7. The Geography of Film Production in Italy: A Spatial Analysis Using GIS; 8. Mapping the "City" Film 1930-1980; 9. Retracing the Local: Amateur Cine Culture and Oral Histories; 10. Beyond the Boundary: Vernacular Mapping and the Sharing of Historical Authority; 11. Afterword: Toward a Spatial History



of the Moving Image; · Contributors; · Index

Sommario/riassunto

Leading scholars in the interdisciplinary field of geo-spatial visual studies examine the social experience of cinema and the different ways in which film production developed as a commercial enterprise, as a leisure activity, and as modes of expression and communication. Their research charts new pathways in mapping the relationship between film production and local film practices, theatrical exhibition circuits and cinema going, creating new forms of spatial anthropology. Topics include cinematic practices in rural and urban communities, development of cinema by amateur filmmakers, and us