1.

Record Nr.

UNINA9910790408803321

Autore

Liu Jin <1974 August->

Titolo

Signifying the local : media productions rendered in local languages in mainland China in the new millennium / / by Jin Liu

Pubbl/distr/stampa

Leiden ; ; Boston : , : Brill, , 2013

ISBN

90-04-25902-3

Descrizione fisica

1 online resource (325 p.)

Collana

China studies, , 1570-1344 ; ; volume 25

Disciplina

302.23/0951

Soggetti

Mass media and language - China

Local mass media - China

Mass media and minorities - China

Communication and culture - China

Chinese language - Dialects

China Languages

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction -- A historical review of the discourse of the local in twentieth-century China -- An overview of television series productions in the 2000s -- Alternative translation: performativity in dubbing films in local languages --  Empowering local community: TV news talk shows in local languages -- Ambivalent laughter: comic sketches in CCTV's spring festival eve gala -- Popular music and local youth identity in the age of the Internet -- The rhetoric of local languages as the marginal: Chinese underground and independent films by Jia Zhangke and others -- Multiplicity in mainstream studio films in local languages -- The unassimilated voice in recent fiction in local languages -- Conclusion.

Sommario/riassunto

In Signifying the Local , Jin Liu examines contemporary cultural productions rendered in local languages and dialects ( fangyan ) in the fields of television, cinema, music, and literature in Mainland China. This ground-breaking interdisciplinary research provides an account of the ways in which local-language media have become a platform for the articulation of multivocal, complex, and marginal identities in post-socialist China. Viewed from the uniquely revealing perspective of local



languages, the mediascape of China is no longer reducible to a unified, homogeneous, and coherent national culture, and thus renders any monolithic account of the Chinese language, Chineseness, and China impossible.