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Record Nr. |
UNINA9910790394903321 |
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Autore |
Susanni Paolo |
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Titolo |
Music and twentieth-century tonality : harmonic progression based on modality and the interval cycles / / Paolo Susanni and Elliott Antokoletz |
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Pubbl/distr/stampa |
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New York ; ; London : , : Routledge, , 2012 |
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ISBN |
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1-136-31420-2 |
1-280-66243-3 |
9786613639363 |
0-203-11929-0 |
1-136-31421-0 |
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Descrizione fisica |
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1 online resource (177 p.) |
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Collana |
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Routledge studies in music theory ; ; 1 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Music - 20th century - Analysis, appreciation |
Musical analysis |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p.153) and indexes. |
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Nota di contenuto |
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Cover; Music and Twentieth-Century Tonality; Copyright; Dedication; Contents; List of Tables and Figures; Preface; Acknowledgments; 1. General Concepts; 2. Interval Cycles; 3. Compound Cyclic Collections; 4. Inversional Symmetry and the Axis Concept; 5. Modes; 6. Modal/Cyclic Relationships; 7. Harmonic Structures, Pitch Cells, and Cyclic Tetrachords; Notes; Bibliography; Index to Compositions; General Index |
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Sommario/riassunto |
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This book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. It does so in a simple, clear, and systematic manner to promote an easily accessible and global understanding of this music. Since the chromatic scale is the primary source for the pitch materials of 20th-century music, common sub-collections of the various modes and interval cycles serve as the basis for their mutual transform |
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