1.

Record Nr.

UNINA9910790213903321

Autore

Horiguchi Noriko J

Titolo

Women adrift [[electronic resource] ] : the literature of Japan's imperial body / / Noriko J. Horiguchi

Pubbl/distr/stampa

Minneapolis, : University Of Minnesota Press, 2012

ISBN

0-8166-7878-2

Descrizione fisica

1 online resource (270 p.)

Classificazione

LIT008030SOC028000

Disciplina

895.6/0992870904

Soggetti

Japanese literature - Women authors - History and criticism

Japanese literature - 20th century - History and criticism

Human body in literature

Women in literature

Fascist aesthetics - Japan - History - 20th century

Literature and society - Japan - History - 20th century

National characteristics, Japanese, in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Machine generated contents note:  ContentsAcknowledgments -- Introduction: Japanese Women and Imperial Expansion1. Japan as a Body -- 2. The Universal Womb -- 3. Resistance and Conformity -- 4. Behind the Guns: Yosano Akiko -- 5. Self-Imposed Exile: Tamura Toshiko -- 6. Wandering on the Periphery: Hayashi FumikoConclusion: From Literary to Visual Memory of EmpireNotes -- Bibliography -- Index.

Sommario/riassunto

" Women's bodies contributed to the expansion of the Japanese empire. With this bold opening, Noriko J. Horiguchi sets out in Women Adrift to show how women's actions and representations of women's bodies redrew the border and expanded, rather than transcended, the empire of Japan. Discussions of empire building in Japan routinely employ the idea of kokutai--the national body--as a way of conceptualizing Japan as a nation-state. Women Adrift demonstrates how women impacted this notion, and how women's actions affected perceptions of the national body. Horiguchi broadens the debate over Japanese women's agency by focusing on works that move between naichi, the inner



territory of the empire of Japan, and gaichi, the outer territory; specifically, she analyzes the boundary-crossing writings of three prominent female authors: Yosana Akiko (1878-1942), Tamura Toshiko (1884-1945), and Hayashi Fumiko (1904-1951). In these examples--and in Naruse Mikio's postwar film adaptations of Hayashi's work--Horiguchi reveals how these writers asserted their own agency by transgressing the borders of nation and gender. At the same time, we see how their work, conducted under various colonial conditions, ended up reinforcing Japanese nationalism, racialism, and imperial expansion.In her reappraisal of the paradoxical positions of these women writers, Horiguchi complicates narratives of Japanese empire and of women's role in its expansion"--