1.

Record Nr.

UNINA9910790168303321

Autore

Curyłło-Klag I (Izabela)

Titolo

Violence in early modernist fiction : The secret agent, Tarr, and Women in love / / Izabela Curyłło-Klag [[electronic resource]]

Pubbl/distr/stampa

Krakow : , : Jagiellonian University Press, , 2011

ISBN

83-233-8000-7

Edizione

[First edition.]

Descrizione fisica

1 online resource (126 pages) : digital, PDF file(s)

Disciplina

823/.914093552

Soggetti

English fiction - 20th century - History and criticism

Violence in literature

Modernism (Literature) - Great Britain

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 31 May 2016).

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Contents; Acknowledgements; Introduction; Chapter I. Modernist Consciousness of Crisisand the Emer gent Violence Mythos; Modernism as Sacrificial Crisis; The Secret Agent, Tarr and Women in Love; Mimetic Rivalries and Con tagion of Violence; The Violence My thos of Modernism; Review of Critic al Approaches to Violence and Modernism; Chapter II. Ticking Towards Disaster-Violenceas "The Enemy Within" in Conrad's The Secret Agent; England must be brought into line; Madness alone is truly terrifying; Blood alone puts a seal on greatness; She was not a submissiv e creature

Simple ferocity of the age of cavernsChapter III. "All Personality Was Catching"-Mimetic Rivalryand the Con tagion of Violence in Tarr; Doomed, evidently; All in order for unbounded in flammation; A thirst for action; She had lain in wait for him; The bubonic plague; Not a duel but a brawl; Only a game, too; Chapter IV. Humanity in a Cul-de-sac: Women in Loveas an Epic of Sacrificial Crisis; An omen of universal dissolution; Mutual hellish recognition; A lurking desir e to have gizzard slit; Conclusion; Bibliography

Sommario/riassunto

This study focuses on texts exploring human proclivity to violent behaviour. Building on the anthropological insights of René Girard, and on the premise that literature is a reflection of a cultural moment, Curyłło-Klag shows how early modernism registers symptoms of crisis which even the outbreak of World War I failed to resolve. Arranged in



chronological order, the works of Conrad, Lewis and Lawrence reveal an unfolding pattern and form a triptych, indicative of the growing intensity of the epoch in which they were produced.