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Record Nr. |
UNINA9910790164903321 |
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Titolo |
Southeast Asian independent cinema / / edited by Tilman Baumgartel |
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Pubbl/distr/stampa |
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Hong Kong, : Hong Kong University Press |
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London, : Eurospan [distributor], 2012 |
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Hong Kong : , : Hong Kong University Press, , 2012 |
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ISBN |
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988-220-911-4 |
988-220-900-9 |
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Edizione |
[1st edition.] |
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Descrizione fisica |
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1 online resource (304 pages) |
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Collana |
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TransAsia: screen cultures |
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Disciplina |
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Soggetti |
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Independent films - Southeast Asia |
Independent filmmakers - Southeast Asia |
Motion picture industry - Southeast Asia |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Notes on Contributors; List of Figures; Acknowledgements; Introduction; Part I: Essays; 01: Southeast Asian Independent Cinema; 02: Imagined Communities, Imagined Worlds; 03: Hinterland, Heartland, Home; 04: Stealing Moments; 05: Fiction, Interrupted; 06: Cinema, Sexuality and Censorship in Post-Soeharto Indonesia; 07: Independent versus Mainstream Islamic Cinema in Indonesia; 08: Observational Documentary Comes to Indonesia; Part II: Documents; 09: Four Manifestos; 10: Why Ciplak ended up being made; 11: Singapore GaGa Tours Singapore; 12: The Downside of Digital |
13: I Sinema ManifestoPart III: Interviews; 14: "An inexpensive film should start with an inexpensive story"; 15: "Digital is liberation theology"; 16: "I make films for myself""; 17: "I love making films , but not getting films made"; 18: "I want the people of Indonesia to see a different point of view, whether they agree with it or not"; 19: "I do not have anything against commercial films""; 20: The Page and the (Video) Camera; 21: "I want you to forget about the race of the protagonists half an hour into the film"; Notes; Bibliography; Index |
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Sommario/riassunto |
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The rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most |
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