1.

Record Nr.

UNINA9910454835103321

Autore

Larson Jil

Titolo

Ethics and narrative in the English novel, 1880-1914 / / Jil Larson [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 2001

ISBN

1-107-12205-8

0-521-12167-1

0-511-48314-7

0-511-15371-6

1-280-17782-9

0-511-11912-7

0-511-04715-0

0-511-30353-X

Descrizione fisica

1 online resource (ix, 176 pages) : digital, PDF file(s)

Disciplina

823/.809353

Soggetti

English fiction - 20th century - History and criticism

Ethics in literature

English fiction - 19th century - History and criticism

Didactic fiction, English - History and criticism

Narration (Rhetoric) - History - 19th century

Narration (Rhetoric) - History - 20th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references (p. 165-172) and index.

Nota di contenuto

Ethics and the turn to narrative -- Victorian history and ethics: anxiety about agency at the fin-de-siècle -- Emotion, gender, and ethics in fiction by Thomas Hardy and the New Woman writers -- When hope unblooms: chance and moral luck in A Laodicean, The mayor of Castorbridge, and Tess -- Oscar Wilde and Henry James: aestheticizing ethics -- Promises, lies, and ethical agency in Joseph Conrad's Under western eyes.

Sommario/riassunto

Drawing on interdisciplinary work in the field of ethics and literature by a diverse range of thinkers, including Martha Nussbaum, Emmanuel Levinas and Paul Ricoeur, Jil Larson offers new readings of late Victorian



and turn-of-the-century British fiction, she shows how ethical concepts can transform our understanding of narratives, just as narratives make possible a valuable, contextualised moral deliberation. Focusing on novels by Thomas Hardy, Sarah Grand, Olive Schreiner, Oscar Wilde, and Henry James, Larson explores the conjunction of ethics and fin-de-siècle history and culture through a consideration of what narratives from this period tell us about emotion, reason, and gender, aestheticism, and such speech acts as promising and lying. This book will be of interest to scholars of nineteenth century and modernism, and all interested in the conjunction between narrative, ethics and literary theory.

2.

Record Nr.

UNINA9910790020803321

Autore

Runstedtler Theresa

Titolo

Jack Johnson, rebel sojourner [[electronic resource] ] : boxing in the shadow of the global color line / / Theresa Runstedtler

Pubbl/distr/stampa

Berkeley, : University of California Press, c2012

ISBN

1-280-11671-4

9786613521002

0-520-95228-6

Descrizione fisica

1 online resource (376 p.)

Collana

American crossroads ; ; 33

Disciplina

796.83092

B

Soggetti

Boxers (Sports) - United States

African American boxers

Boxing - United States - History

Racism in sports

United States Race relations History

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Preface -- Introduction -- 1. Embodying Empire -- 2. White Censors, Dark Screens: The Jeffries-Johnson Fight Film Controversy -- 3. Jack



Johnson versus John Bull: The Rise of the British Boxing Colour Bar -- 4. The Black Atlantic from Below: African American Boxers and the Search for Exile -- 5. Trading Race: Black Bodies and French Regeneration -- 6. Viva Johnson! Fighting over Race in the Americas -- 7. The Empire Strikes Back: The "French Jack Johnson" and the Rising Tide of Color -- Epilogue: Visible Men, Harmless Icons -- Notes -- Bibliography -- Index

Sommario/riassunto

In his day, Jack Johnson-born in Texas, the son of former slaves-was the most famous black man on the planet. As the first African American World Heavyweight Champion (1908-1915), he publicly challenged white supremacy at home and abroad, enjoying the same audacious lifestyle of conspicuous consumption, masculine bravado, and interracial love wherever he traveled. Jack Johnson, Rebel Sojourner provides the first in-depth exploration of Johnson's battles against the color line in places as far-flung as Sydney, London, Cape Town, Paris, Havana, and Mexico City. In relating this dramatic story, Theresa Runstedtler constructs a global history of race, gender, and empire in the early twentieth century.