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1. |
Record Nr. |
UNISA996209968403316 |
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Autore |
Mühlberger Kurt |
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Titolo |
Die Matrikel der Universität Wien . VIII Band, 1746/47-1777/78 : im auftrag der Universität Wien herausgegeben von Kurt Mühlberger, archiv der Universität Wien / / bearbeitet von Ulrich Denk, Nina Knieling, Thomas Maisel und Astrid Steindl |
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Pubbl/distr/stampa |
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Wien; München, : Böhlau, 2014 |
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Austria : , : Böhlau Verlag, , 2014 |
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Descrizione fisica |
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1 online resource (xxxv, 671 pages) : digital, PDF file(s) |
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Collana |
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Publikationen des Instituts für Österreichische Geschichtsforschung. VI. Reihe, Quellen zur Geschichte der Universität Wien ; ; 1 |
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Soggetti |
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Educational Institutions |
Education |
Social Sciences |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
Includes index. |
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Sommario/riassunto |
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The eighth volume of the Matricles of the University of Vienna covers the period from 1746/47 to 1777/78. It contains the continuation of the edition of the main register of the rectors of the University of Vienna, which was founded in 1377. It represents a first-class basis for research into the history of people and the history of institutions at the University of Vienna, as well as the social history of the world of scholars. The register of records at the University of Vienna contains the data of academic staff and students, a total of 13,265 people from a period of 32 years registered. The matriculation book also contains information on the regional and social origins of the university members. The critical edition is linked to a list of names of the rectors in office, as well as a name and location register. |
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2. |
Record Nr. |
UNINA9910789975003321 |
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Autore |
Prince Stephen <1955-2020.> |
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Titolo |
Digital visual effects in cinema [[electronic resource] ] : the seduction of reality / / Stephen Prince |
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Pubbl/distr/stampa |
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New Brunswick, N.J., : Rutgers University Press, c2012 |
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ISBN |
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1-78402-669-7 |
1-283-86454-1 |
0-8135-5218-4 |
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Descrizione fisica |
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1 online resource (270 p.) |
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Disciplina |
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Soggetti |
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Motion picture industry - Technological innovations |
Motion pictures - Aesthetics |
Digital cinematography |
Cinematography - Special effects |
Cinematography - Technological innovations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction : beyond spectacle -- Through the looking glass -- Painting with digital light -- Actors and algorithms -- Digital environment creation -- Immersive aesthetics -- Conclusion : the pleasures of illusion. |
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Sommario/riassunto |
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Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects–driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting |
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technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today. |
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