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Record Nr. |
UNINA9910789539903321 |
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Autore |
Gabbard Glen O. |
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Titolo |
Psychoanalysis and film / / by Glen O. Gabbard |
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Pubbl/distr/stampa |
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Boca Raton, FL : , : Routledge, an imprint of Taylor and Francis, , [2018] |
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©2001 |
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ISBN |
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0-429-91770-8 |
0-429-90347-2 |
0-429-47870-4 |
1-283-12560-9 |
9786613125606 |
1-84940-316-3 |
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Descrizione fisica |
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1 online resource (251 p.) |
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Collana |
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International journal of psychoanalysis key papers series |
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Disciplina |
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Soggetti |
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Psychoanalysis and motion pictures |
Motion pictures - Psychological aspects |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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COVER; CONTENTS; 1. Introduction; 2. The end of time: a psychoanalytic perspective on Ingmar Bergman's Wild Strawberries; 3. Hitchcock's Vertigo: the collapse of a rescue fantasy; 4. Neil Jordan's The Crying Game; 5. Hidden in the imagery: an unconscious scene in The Conformist; 6. ""Ah doctor, is there nothin' I can take?"": A Review of Reservoir Dogs; 7. Arthur Penn's Night Moves: a film that interprets us Emanuel Berman, Israel; 8. Lone Star: signs, borders and thresholds; 9. Letters, words and metaphors: a psychoanalytic reading of Michael Radford's II Postino |
10. Truffaut and the failure of introjection11. I have not spoken: silence in The Piano; 12. Over-exposure: Terry Zwigoff's Crumb; 13. Narrating desire and desiring narration: a psychoanalytic reading of The English Patient; 14. The Remains of the Day; 15. Deconstructing Dirty Harry: Clint Eastwood's undoing of the Hollywood myth of screen masculinity; 16. The thing from inner space: Titanic and Deep Impact; 17. |
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