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Record Nr. |
UNINA9910789394003321 |
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Autore |
Cisneros Josue David <1981-> |
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Titolo |
The border crossed us : rhetorics of borders, citizenship, and Latina/o identity / / Josue David Cisneros ; cover design, Mary Elizabeth Watson |
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Pubbl/distr/stampa |
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Tuscaloosa, Alabama : , : University Alabama Press, , 2013 |
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©2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (248 p.) |
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Collana |
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Rhetoric, culture, and social critique |
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Classificazione |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Mexican Americans - Ethnic identity |
Mexican Americans - Civil rights - History |
Citizenship - Social aspects |
Mexican-American Border Region Ethnic relations History |
Mexican-American Border Region Emigration and immigration |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Preface; Acknowledgments; Introduction: On Border Crossing and the Crossing Border; Negotiating the Border: Race, Coloniality, and Citizenship in Nineteenth-Century California; Inhabiting the Border: Radical Rhetoric and Social Movement in 1960's New Mexico; Rebordering the Nation: Hybrid Rhetoric in the Immigrant Marches of 2006; Beyond Borders? : Citizenship and Contemporary Latina/o and Immigrant Social Movements; Conclusion: Denaturalizing Borders and Citizenship; Notes; Bibliography; Index |
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Sommario/riassunto |
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"The Border Crossed Us explores efforts to restrict and expand notions of US citizenship as they relate specifically to the US-Mexico border and Latina/o identity"-- |
"The Border Crossed Us explores efforts to restrict and expand notions of US citizenship as they relate specifically to the US-Mexico border and Latina/o identity. Borders and citizenship go hand in hand. Borders define a nation as a territorial entity and create the parameters for national belonging. But the relationship between borders and citizenship breeds perpetual anxiety over the purported sanctity of the border, the security of a nation, and the integrity of civic identity. In |
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The Border Crossed Us, Josue David Cisneros addresses these themes as they relate to the US-Mexico border, arguing that issues ranging from the Mexican-American War of 1846-1848 to contemporary debates about Latina/o immigration and border security are negotiated rhetorically through public discourse. He explores these rhetorical battles through case studies of specific Latina/o struggles for civil rights and citizenship, including debates about Mexican American citizenship in the 1849 California Constitutional Convention, 1960's Chicana/o civil rights movements, and modern-day immigrant activism. Cisneros posits that borders--both geographic and civic--have crossed and recrossed Latina/o communities throughout history (the book's title derives from the popular activist chant, "We didn't cross the border; the border crossed us!") and that Latina/os in the United States have long contributed to, struggled with, and sought to cross or challenge the borders of belonging, including race, culture, language, and gender. The Border Crossed Us illuminates the enduring significance and evolution of US borders and citizenship, and provides programmatic and theoretical suggestions for the continued study of these critical issues"-- |
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2. |
Record Nr. |
UNINA9910776172303321 |
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Autore |
Nakas Kassandra |
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Titolo |
Bildhafte Räume, begehbare Bilder : Virtuelle Architekturen interdisziplinär / Matthias Aust, Ortrun Bargholz, Pablo Dornhege, Jan Philipp Drude, Casten Jantzen, Sebastian Marwecki, Steffen Masik, Constantinos Miltiades, Kassandra Nakas, Philipp Reinfeld, Franziska Ritter, Alexander Schmidt, Clemens Schöll, Annette Urban, Eva Wilson, Kassandra Nakas, Philipp Reinfeld |
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Pubbl/distr/stampa |
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Paderborn, : Brill | Fink, 2022 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (vi, 232 pages) : illustrations |
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Collana |
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Architektur der Medien – Medien der Architektur ; 2 |
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Disciplina |
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Soggetti |
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Architektur |
Design |
Computersimulation |
Raumerfahrung |
Interaktion |
Immersion |
Verkörperung |
Virtuelle Realität |
Augmented Reality |
Kunst |
Architecture |
Computer Simulation |
Spatial Experience |
Interaction |
Embodiment |
Virtual Reality |
Art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Intro -- Inhalt -- Bildhafte Räume und begehbare Bilder. Zur Einführung -- I. Bild-Räume des Entwerfens und Kommunizierens -- Vom Reißbrett in die Virtuelle Realität. Wie sich unsere Entwurfsperspektive verändert -- Performatives Entwerfen in Virtual Reality. Körperaktive Hybridisierungen zwischen virtuellem und realem Raum -- Cloud Modelling -- Immersive Participation Lab und Elbedome -- II. Bild-Räume des Erzählens und Vermittelns -- Hybride Realitäten. Virtuelle Theater-Architekturen und kokreative Performance-Räume -- Ein Experimentierraum für VR: Das VRlab des Deutschen Museums München -- Virtualizing Physical Space -- III. Bild-Räume aus historischer und theoretischer Perspektive -- How and Where to Find a Virtual Image -- Spacetime-Craft: An Archaeology of Visions and Explorations of Spatial Experience -- Das Echo der Bilder in der Tiefe des Raums. Historische und heutige Blicke auf virtuelle Bildräume -- Re-Building Virtuality: Lebensweltliche Mikrokosmen und die Referenzialisierung des 3D-Design in der Gegenwartskunst -- Versprochene Realität -- Dank -- Autorinnen und Autoren. |
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Sommario/riassunto |
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Virtuelle Räume bestimmen unsere Kultur heute bereits mehr, als uns bewusst ist. Wir betreten sie sowohl zur Unterhaltung, beim Spielen und Lernen, als auch in der Architektur und in industriellen Arbeitsprozessen. Zugleich steht eine kritisch reflektierende Beschäftigung mit der Ästhetik der simulierten Bildräume, den Prämissen ihres Entstehens und den von ihnen ausgehenden Handlungsangeboten noch weitgehend aus. Zwölf Beiträge aus angewandten Bereichen in Forschung und Technik, experimentellen Ansätzen in Architektur, Kunst und Theater sowie aus theoretisch-historischer Perspektive geben erhellende Einblicke in den kulturell und gesellschaftlich zunehmend bedeutsamen Bereich digitaler Raumkonzepte und virtueller Realitäten und loten deren ästhetischen wie auch performativ-praktischen Potenziale aus. |
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