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Record Nr. |
UNINA9910789322903321 |
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Autore |
Forter Greg |
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Titolo |
Gender, race, and mourning in American modernism / / Greg Forter [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2011 |
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ISBN |
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1-107-22108-0 |
1-139-06383-9 |
1-283-11890-4 |
1-139-07623-X |
9786613118905 |
1-139-08306-6 |
1-139-07051-7 |
1-139-07852-6 |
1-139-08079-2 |
0-511-79162-3 |
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Descrizione fisica |
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1 online resource (vii, 217 pages) : digital, PDF file(s) |
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Classificazione |
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Disciplina |
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Soggetti |
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American fiction - 20th century - History and criticism |
Modernism (Literature) - United States |
Gender identity in literature |
Race in literature |
Grief in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- 1. Gender, melancholy, and the whiteness of impersonal form in The Great Gatsby -- 2. Redeeming violence in The Sun Also Rises: phallic embodiment, primitive ritual, fetishistic melancholia -- 3. Versions of traumatic melancholia: the burden of white man's history in Light in August and Absalom, Absalom! -- 4. The Professor's House: primitivist melancholy and the gender of Utopian forms. |
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Sommario/riassunto |
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American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that modernists were engaged in a poignant yet deeply conflicted effort to hold on to socially 'feminine' and racially marked aspects of identity, qualities that the new social order encouraged them to disparage. Examining works by F. Scott Fitzgerald, Ernest Hemingway, William Faulkner and Willa Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial categories that made it difficult for them to work through the loss of the masculinity they mourned. Gender, Race, and Mourning in American Modernism offers a bold reading of canonical modernism in the United States. |
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