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1. |
Record Nr. |
UNINA9910788677803321 |
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Titolo |
African art, interviews, narratives [[electronic resource] ] : bodies of knowledge at work / / edited by Joanna Grabski and Carol Magee |
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Pubbl/distr/stampa |
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Bloomington, Indiana : , : Indiana University Press, , 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (207 pages) |
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Collana |
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African Expressive Cultures. |
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Altri autori (Persone) |
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GrabskiJoanna |
MageeCarol L |
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Disciplina |
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Soggetti |
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Art, African |
Artists |
Art museum curators |
Art historians |
Anthropologists |
Africa |
Afrika |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Introduction: The Work of Interviews; 1. Talking to People about Art; 2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence; 3. Can the Artist Speak?: Hamid Kachmar's Subversive Redemptive Art of Resistance; 4. Photography, Narrative Interventions, and (Cross) Cultural Representations; 5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona; 6. Interview: Akinbode Akinbiyi |
7. Interweaving Narratives of Art and Activism: Sandra Kriel's Heroic Women8. Politics of Narrative at the African Burial Ground in New York City: The Final Monument; 9. Who Owns the Past?: Constructing an Art History of a Malian Masquerade; 10. Framing Practices: Artists' Voices and the Power of Self-Representation; 11. Undisciplined Knowledge; Appendix: Interlocutors; Contributors; Index |
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Sommario/riassunto |
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Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and |
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how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art. |
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2. |
Record Nr. |
UNINA9911009390303321 |
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Autore |
Nowlin Steele <1976-> |
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Titolo |
Chaucer, Gower, and the Affect of Invention / Steele Nowlin |
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Pubbl/distr/stampa |
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Columbus, [Ohio] : , : The Ohio State University Press, , 2016 |
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©2016 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (198 pages) |
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Collana |
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Interventions: new studies in medieval culture |
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Disciplina |
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Soggetti |
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Affect (Psychology) in literature |
Invention (Rhetoric) |
English poetry - Middle English, 1100-1500 - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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"Gooth yet alway under": invention as movement in The house of fame -- "Ryght swich as ye felten": aligning affect and invention in The legend of good women -- A thing so strange: macrocosmic emergence in the Confessio amantis -- "The cronique of this fable": transformative poetry and the chronicle form in the Confessio amantis -- Empty songs, mighty men, and a startled chicken: satirizing the affect of invention in fragment VII of the Canterbury tales -- From ashes ancient come: affective intertextuality in Chaucer, Gower, and Shakespeare. |
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Sommario/riassunto |
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In this book, Steele Nowlin examines the process of poetic invention as it is conceptualized and expressed in the poetry of Geoffrey Chaucer (1343-1400) and John Gower (ca.1330-1408). |
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