|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910788677803321 |
|
|
Titolo |
African art, interviews, narratives [[electronic resource] ] : bodies of knowledge at work / / edited by Joanna Grabski and Carol Magee |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Bloomington, Indiana : , : Indiana University Press, , 2013 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (207 pages) |
|
|
|
|
|
|
Collana |
|
African Expressive Cultures. |
|
|
|
|
|
|
Altri autori (Persone) |
|
GrabskiJoanna |
MageeCarol L |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Art, African |
Artists |
Art museum curators |
Art historians |
Anthropologists |
Africa |
Afrika |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Introduction: The Work of Interviews; 1. Talking to People about Art; 2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence; 3. Can the Artist Speak?: Hamid Kachmar's Subversive Redemptive Art of Resistance; 4. Photography, Narrative Interventions, and (Cross) Cultural Representations; 5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona; 6. Interview: Akinbode Akinbiyi |
7. Interweaving Narratives of Art and Activism: Sandra Kriel's Heroic Women8. Politics of Narrative at the African Burial Ground in New York City: The Final Monument; 9. Who Owns the Past?: Constructing an Art History of a Malian Masquerade; 10. Framing Practices: Artists' Voices and the Power of Self-Representation; 11. Undisciplined Knowledge; Appendix: Interlocutors; Contributors; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and |
|
|
|
|