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1. |
Record Nr. |
UNINA9910788448303321 |
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Titolo |
La Cortesía en el Mundo Hispánico : Nuevos Contextos, Nuevos Enfoques Metodológicos / / Martina Schrader-Kniffki, (editor) |
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Pubbl/distr/stampa |
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Madrid ; ; Frankfurt am Main : , : Iberoamericana : , : Vervuert, , [2006] |
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©2006 |
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Descrizione fisica |
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1 online resource (199 p.) |
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Collana |
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Lengua y Sociedad en El Mundo Hispánico ; ; Volume 15 |
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Disciplina |
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Soggetti |
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Etiquette - Latin America |
Etiquette - Spain |
Courtesy - Latin America |
Courtesy - Spain |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Front matter -- ÍNDICE -- Presentación / Schrader-Kniffki, Martina -- "Pasad, pasad" - "Kommen Sie bitte rein". Pedro Almodóvar, los actos de habla y la comparación intercultural / Monjour, Alf -- Intensificación y atenuación en relación con cortesía y descortesía en un talk show de la televisión española / Bernhardt, Eva -- Cortesía lingüística y medialidad: reflexiones en torno a un caso de la televisión argentina / Hofmann, Sabine -- La fórmula de tratamiento señorita en el español peninsular comparada con el Fräulein alemán. Modificaciones de significado y empleo / Stoll, Eva -- La variación entre formas ustedeantes y voseantes a nivel del discurso familiar en la clase media y alta de San José - Costa Rica: ¿una estrategia de cortesía? / Moser, Karolin -- El usted de solidaridad en el habla de Mérida / Álvarez Muro, Alexandra Á / Carrera de la Red, Micaela -- Las formas de tratamiento en el español cubano del siglo XIX / von Büchau, Michael -- La cortesía parlamentaria en la transición de México a la democracia: ejemplo de racionalidad / Vázquez Laslop, María Eugenia -- La cortesía conversacional: análisis secuenciales / Müller, Andreas P. -- Sobre algunos conceptos básicos de la lingüística etológica / Nowikow, Wiaczeslaw -- Los autores -- LENGUA Y SOCIEDAD EN ELMUNDO |
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Sommario/riassunto |
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Reúne diez estudios sobre el fenómeno de la cortesía tal como se presenta en los diferentes contextos regionales hispánicos, abarcando formas tanto históricas como actuales en un acercamiento dinámico y diacrónico. |
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2. |
Record Nr. |
UNINA9911019608503321 |
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Autore |
Armitage David <1937-> |
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Titolo |
Introduction to microdisplays / / David Armitage, Ian Underwood, Shin-Tson Wu |
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Pubbl/distr/stampa |
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Chichester, England ; ; Hoboken, NJ, : Wiley, c2006 |
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ISBN |
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9786610722204 |
9781280722202 |
1280722207 |
9780470057056 |
047005705X |
9780470057070 |
0470057076 |
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Descrizione fisica |
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1 online resource (397 p.) |
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Collana |
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Wiley SID series in display technology |
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Altri autori (Persone) |
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UnderwoodIan <1959-> |
WuShin-Tson |
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Disciplina |
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Soggetti |
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Microdisplays |
Information display systems |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction to Microdisplays; Contents; Series Editor's Foreword; Preface; 1. Introduction; 1.1 Microdisplays; 1.2 Human Factors; 1.2.1 Color; 1.2.2 Resolution; 1.2.3 Flicker; 1.2.4 Contrast Ratio; 1.2.5 Grayscale; 1.2.6 Viewing Comfort; 1.3 Display Specifications; 1.3.1 Resolution and Size; 1.3.2 Luminance and Color Saturation; 1.3.3 Contrast Ratio and Grayscale; 1.3.4 Response Speed and Flicker; 1.4 Displays in General; 1.4.1 Cathode Ray Tube; 1.4.2 Matrix Addressed |
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Displays; 1.4.3 Field Emission Displays; 1.4.4 Plasma Displays; 1.4.5 Liquid Crystal Displays |
1.4.6 Electroluminescent Displays1.4.7 Electromechanical Displays; 1.5 Microdisplay Evolution; 1.6 Microdisplay Applications; 1.6.1 Projection Displays; 1.6.2 Near-to-Eye Displays; 1.6.3 Other Applications; 1.7 References; 2. Electronic Addressing; 2.1 Introduction; 2.1.1 General Introduction; 2.1.2 Addressing Methods; 2.1.3 Grayscale; 2.1.4 Color; 2.1.5 Active Matrix Technologies; 2.1.6 LCOS: The Early Days; 2.2 The MOS Transistor; 2.2.1 Characteristic Equations; 2.2.2 MOS Capacitor; 2.2.3 MOS Transistor Switches; 2.2.4 CMOS Inverter; 2.2.5 MOS Memory Circuits |
2.3 LCOS System Electronics Architecture2.3.1 Overview and Classifi cation; 2.3.2 Interface and Support Architecture; 2.3.3 Backplane Electronics; 2.4 Analog Pixel Drive Schemes for Analog Electro-optic Response; 2.4.1 Analog Voltage Addressing; 2.4.2 DC Balanced Driving of Liquid Crystal; 2.4.3 DRAM-style Analog Pixel; 2.4.4 Frame Buffer Pixels for Analog Drive; 2.5 Digital Pixel Drive Schemes for Analog Electro-optic Response; 2.5.1 Nematic Liquid Crystal; 2.5.2 Fringe Field Effects with Digital Drive; 2.5.3 Response Time Considerations for Digital Drive |
2.6 Digital Pixel Drive Schemes for Binary Electro-optic Response2.6.1 Single Pulse Width Modulation; 2.6.2 Binary-Coded Pulse Width Modulation (B-PWM); 2.6.3 B-PWM Pixel Circuits; 2.6.4 Grayscale Contouring; 2.7 DMD Microdisplay Electronics; 2.8 OLED Microdisplay Electronics; 2.8.1 OLED Microdisplay System Overview; 2.8.2 OLED Pixel Circuits using TFTs; 2.8.3 OLED Microdisplay with Digital Addressing: Example; 2.8.4 OLED Microdisplay with Analog Addressing: Example; 2.9 Photo-addressing; 2.10 Bibliography; 2.11 References; 3. CMOS Backplane Technology; 3.1 Introduction; 3.2 CMOS Technology |
3.2.1 Background3.2.2 MOS Transistor Structure; 3.2.3 MOS Integrated Circuit Structure; 3.2.4 CMOS Fabrication Process; 3.3 CMOS for Microdisplays; 3.3.1 Background; 3.3.2 Pixel Aperture Ratio; 3.3.3 Metal Layer Count; 3.3.4 High-Voltage Structures; 3.3.5 LCOS Microdisplays; 3.4 Wafer and Die Bow; 3.4.1 Wafer Flatness and Surface Metrology; 3.5 Wafer Surface Planarization; 3.5.1 Introduction to Wafer Planarization; 3.5.2 Chemical Mechanical Polishing; 3.5.3 Damascene Polishing; 3.6 Pixel Storage; 3.7 Light Blocking; 3.8 Mirror Quality; 3.9 Pixel Gap Fill; 3.10 LC Cell Thickness |
3.11 LCOS CMOS Summary |
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Sommario/riassunto |
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Microdisplays are tiny, high-resolution electronic displays, designed for use in magnifying optical systems such as HDTV projectors and near-eye personal viewers. As a result of research and development into this field, Microdisplays are incorporated in a variety of visual electronics, notably new 3G portable communications devices, digital camera technologies, wireless internet applications, portable DVD viewers and wearable PCs. Introduction to Microdisplays encapsulates this market through describing in detail the theory, structure, fabrication and applications of Microdi |
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3. |
Record Nr. |
UNINA9910136241603321 |
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Titolo |
Hélio Oiticica: Curating the Penetráveis / Stefanie Heraeus |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2016 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (194 pages) : illustrations |
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Collana |
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Classificazione |
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Disciplina |
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Soggetti |
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Oiticica |
Penetrável |
Penetráveis |
Performance |
White Cube |
Pavillon |
Curating |
Kuratieren |
Tropicália |
Experiment |
Art |
Kunst |
Museum |
Kunsttheorie |
Theory of Art |
Kunstgeschichte des 20. Jahrhunderts |
Art History of the 20th Century |
Südamerikanische Kunst |
South American Art |
Museology |
Museumswissenschaft |
Kunstwissenschaft |
Fine Arts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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The Penetráveis are spectacular room installations created by the |
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Brazilian artist Hélio Oiticica in the 1960s and '70s. They are experimental spaces that are only activated when used. Oiticica thus invented a format that continues to offer new potential for artistic interventions to this day. How does a Penetrável differ from other temporary exhibition formats? What challenges does it pose to curators? The first part of the book revolves around the political and artistic requisites for the Penetráveis. Part 2 explores the possibilities they offer today – based on the performance and film programme that took place as part of the Hélio Oiticica retrospective staged by the MMK Museum für Moderne Kunst Frankfurt am Main.Contributions by Daniel Birnbaum, Jochen Volz, Christoph Menke, Peter Gorschlüter, and others. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter 1 Inhalt 3 Vorwort / Foreword 7 Einleitung: Curating The Penetráveis / Introduction: Curating The Penetráveis 12 "Propose To Propose" - Überlegungen Zur Realisierung Des Penetrável PN 14 / "Propose to Propose" - Deliberations on The Realization of Penetrável PN 14 25 Gespräch Über Ausstellungsformate Jenseits Des White Cube: Penetráveis - Pavillons - Plattformen / A Conversation on Exhibition Formats Beyond The White Cube: Penetráveis - Pavilions - Platforms 31 Rolex / Rolex 41 Interview Mit César Oiticica Filho / Interview with César Oiticica Filho 52 Murmel Im Anus - Die Musik Der "Tropicália" / A Marble in an Anus - The Music of "Tropicália" 64 "Er Muss Experimentieren" - Die Kunst Im Gegenwärtigen Kapitalismus / "He Must Experiment" - Art in Present-Day Capitalism 78 Quasi Museum, Quasi Welt - Der Magic Square No. 5 Und Das Projekt Mit Dem Teatro Oficina in Inhotim / Quasi Museum, Quasi World - The Magic Square No. 5 and The Project with Teatro Oficina in Inhotim 92 Penetrável PN 14: Propositionen Zur Teilhabe 34 Jahre Später / The Penetrável PN 14: Propositions for Participation 34 Years Later 102 Katalog / Catalogue 111 Autoren / Authors 184 Literatur / Bibliography 187 Impressum 190 Backmatter 191 |
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Sommario/riassunto |
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Die Penetráveis sind spektakuläre Rauminstallationen, die der brasilianische Künstler Hélio Oiticica in den 1960er und 1970er Jahren entwickelte. Sie sind Orte des Ausprobierens und werden erst durch Benutzung aktiviert. Oiticica hat damit ein Format erfunden, das bis heute immer neue Möglichkeiten für künstlerische Interventionen bietet. Was unterscheidet ein Penetrável von anderen temporären Ausstellungsformaten? Worin liegen seine kuratorischen Herausforderungen? Im ersten Teil des Buches geht es um die politischen und künstlerischen Voraussetzungen der Penetráveis. Der zweite Teil lotet ihre heutigen Möglichkeiten aus – anhand des Performance- und Filmprogramms, das im Rahmen der Oiticica-Retrospektive des MMK Museum für Moderne Kunst Frankfurt am Main stattgefunden hat.Mit Beiträgen u.a. von Daniel Birnbaum, Peter Gorschlüter, Jörg Heiser, Christoph Menke, César Oiticica Filho und Jochen Volz. |
»Der Band leistet [...] eine Annäherung an Hélio Oiticicas Werk und Lesarten, die seine Penetráveis über eine historische Einordnung hinaus in der zeitgenössischen Rezeption verorten.« |
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