1.

Record Nr.

UNINA9910788394603321

Autore

Boone Elizabeth Hill

Titolo

Descendants of Aztec Pictography : The Cultural Encyclopedias of Sixteenth-Century Mexico / / Elizabeth Hill Boone

Pubbl/distr/stampa

Austin, TX : , : University of Texas Press, , [2020]

©2020

ISBN

1-4773-2935-8

Edizione

[First edition.]

Descrizione fisica

1 online resource (261 pages)

Disciplina

972.01

Soggetti

Aztecs - Mexico - 16th century - History and criticism

Aztecs - Mexico - 16th century - Authorship

Aztecs - Mexico - 16th century

Picture-writing - Mexico - 16th century

Nahuatl language - Writing - History

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Intro -- Contents -- List of Figures -- List of Tables -- Acknowledgments -- Chapter 1. Paintings from the Past -- Chapter 2. Graphic Complexity in New Spain -- Chapter 3. The Encyclopedic Tradition in Europe -- Chapter 4. The Evangelical Project and Mendicant Investigators -- Chapter 5. Early Compilations: Codices Borbonicus and Mendoza -- Chapter 6. The Mid-Century Encyclopedias: Codices Telleriano-Remensis and Ríos and the Magliabechiano Group -- Chapter 7. Durán and Sahagún: Cumulative Expositions of the Late Sixteenth Century -- Chapter 8. Memories in Figures -- Notes -- References Cited -- Index.

Sommario/riassunto

In the aftermath of the sixteenth-century Spanish conquest of Mexico, Spanish friars and authorities partnered with indigenous rulers and savants to gather detailed information on Aztec history, religious beliefs, and culture. The pictorial books they created served the Spanish as aids to evangelization and governance, but their content came from the native intellectuals, painters, and writers who helped to create them. Examining the nine major surviving texts, preeminent Latin American art historian Elizabeth Hill Boone explores how



indigenous artists and writers documented their ancestral culture. Analyzing the texts as one distinct corpus, Boone shows how they combined European and indigenous traditions of documentation and considers questions of motive, authorship, and audience. For Spanish authorities, she shows, the books revealed Aztec ideology and practice, while for the indigenous community, they preserved venerated ways of pictorial expression as well as rhetorical and linguistic features of ancient discourses. The first comparative analysis of these encyclopedias, Descendants of Aztec Pictography analyzes how the painted compilations embraced artistic traditions from both sides of the Atlantic.